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Humanity Through Memory and Metal: Jim Riesberg and Thomas Lytle, through Dec. 22 at Quad City Arts PDF Print E-mail
Art - Reviews
Wednesday, 29 November 2006 03:17

Jim Riesberg - "Setting the Standard"Jim Riesberg's most recent series of large-format collages originated from an auctioned four-pound box of vintage photographs, musty old invoices, advertisements, and water-stained inventory sheets from a hardware store that had been in business in the 1880s. By scanning and combining these written and visual sources, he has created a many-layered body of images, full of emotion.

 
Memory, Experience, and Creation: Three Young Artists at the Leger Gallery in Davenport PDF Print E-mail
Art - Reviews
Wednesday, 22 November 2006 02:46

artwork by Sara Fletcher Three excellent young painters - Sara Fletcher, Sarah Goffstein, and Greta Songe - shine in their current exhibition at the Leger Gallery in downtown Davenport. Former students of Ron Cohen at the University of Iowa, they are all at the beginnings of their teaching careers. These artists are well on their way in establishing their personal styles in art, and all have something individual to say about experience and memory. One artist is influenced by the light and stillness of Vermeer, another by the colors and patterns of the artist Vuillard, and the third by the flowing music of nature.

 
Promissory Notes of a Better Life: Martin Mull, Adventures in a Temperate Climate, Oct. 28 - Jan. 21 PDF Print E-mail
Art - Reviews
Written by Jeff Ignatius   
Tuesday, 17 October 2006 22:41

Reader issue #603In the 1985 HBO mockumentary The History of White People in America, co-writer and host Martin Mull offered the world mayonnaise-loving WASPs - suburbanites who had lost any sense of their roots, to the point that one child's understanding of his own heritage was limited to the streets on which he and his parents had lived.

White people, the show seemed to be saying, are beyond ethnicity and culture.

Mull doesn't see a meaningful connection between that work and his paintings, which will be shown at the Figge Art Museum in a retrospective that opens October 28. The only link, he said in an interview last month, is that they reflect his upbringing in Ohio. "It comes from the same vein," he said, "the same mother lode."

 
Mixed Colors, Mixed Messages: Church | State, Through October at Bucktown Center for the Arts PDF Print E-mail
Art - Reviews
Tuesday, 26 September 2006 23:00

 

Kathleen Van Hyfte's "Interference" When Joe Kelley was organizing the current Church | State exhibit for the Bucktown Center for the Arts, artist Les Bell asked him: "Is this going to be a blue show or a red show?" Kelley recalled.

In an interview this week, Kelley said he was hoping to find something in between: "I was hoping it would be a purple show."

It's curious that two arenas that are often best kept separated - art and politics - share the language of color. Blue signifies the Democrats on the electoral map, and red the Republicans. And red used to represent the threat of communism, whose adherents were of course called pinkos.

Yet those color labels reduce complex subjects and issues - even the populations of entire regions - and rob them of nuance.

 
The Enigmatic Nude: Les Bell, Through October at Leger Gallery PDF Print E-mail
Art - Reviews
Tuesday, 26 September 2006 22:58

"Genre Chaos" Les Bell is well-known in the Quad Cities area for his teaching at St. Ambrose University, his wide intelligence, and his colorful and sensitive use of the nude in his art. There are few artists who can so easily paint the human figure as the primary subject of their work. The new Leger Gallery, in downtown Davenport, is presently hosting a 10-year retrospective of his paintings.

In Bell's world, the nude form is an artistic style, a psychological mystery, and a symbol. He is painting women in their many relationships and roles - from strong to vulnerable, from innocent to wise, and from beautiful to detached. She appears as a nervous young girl looking out from behind a curtain, a busy young woman at the beach on her cell phone, a calm, dark-haired female eyeing her companion, a distressed woman turning away, an intense, worldly lady erotically drying herself on a beach, a shy young girl, a young maiden holding snakes, a waif, a French courtesan, a Spanish dancer, and many more.

 
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