THE LUCKY ONE

Every time I leave a movie version of some Nicholas Sparks novel, I’m relieved if it’s not, thus far, the worst movie version of some Nicholas Sparks novel. It’s to The Lucky One’s good fortune, then, that 2008’s Nights in Rodanthe still scrapes the bottom of that particular barrel, because otherwise we might’ve had a new champion.

THE CABIN IN THE WOODS

Hollywood’s been leading toward it for decades, and with the blithely enjoyable, exceedingly clever The Cabin in the Woods, it’s finally happened: A movie has been released in which practically everything about it – its plot, its twists, its performers, its characters, its themes, its jokes – could be considered a spoiler.

AMERICAN REUNION

You know that feeling you get when you receive a Facebook friend request from someone you went to high school with, and you don’t quite recognize the name, and a smile slowly forms as you think, “Oh, ye-e-eah ... that guy!” That, in a nutshell, was my reaction to American Reunion, the third big-screen sequel to the beloved coming-of-age slapstick American Pie, and easily the most endearing of the lot. It took me a while to succumb to the movie’s charms, but in the end I not only liked it; I would’ve happily “liked” it.

MIRROR MIRROR

Mirror Mirror is a slightly modernized, family-comedy version of the Snow White fairy tale, and offhand, I can think of few directors less suited to the material than this film’s Tarsem Singh, the music-video veteran whose big-screen credits include those wildly baroque (and decidedly adult) spectacles The Cell and Immortals. Yet every once in a while, when a director is spectacularly wrong for a project, the results can be much more interesting than if he were right for it, and that certainly seems the case here; this aimless, pointless little trifle is mostly a drag, but I can only imagine how deadening it might’ve been without Singh at the helm.

As you’re probably aware, director Gary Ross’ The Hunger Games is the movie version of the first in a trio of wildly popular young-adult novels by author Suzanne Collins. And perhaps the highest compliment I can pay the film, among the many compliments it deserves, is that unlike with the Harry Potter and Twilight screen adaptations, at no point are viewers such as myself punished for being too blasé or lazy to have read the book.