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Chris Almighty: “Click,” “Waist Deep,” and “The Fast & the Furious: Tokyo Drift” PDF Print E-mail
Reviews
Written by Mike Schulz   
Tuesday, 27 June 2006 23:13

Adam Sandler in ClickCLICK

A quick scan of Adam Sandler's screen credits reveals that - if you include his cameos in pal Rob Schneider's comedies - Click is the 13th Sandler film I've reviewed over the past decade-plus, and of this baker's dozen, it's easily my favorite. Mind you, I still didn't like it much. Yet despite Click's predictable story arc and the inability of its star to shake off the Sandler Movie staples that generally make his films so wretched, it isn't bad. With its script by Steve Coren and Mark O'Keefe, Click has more than a few moments of true invention, and director Frank Coraci provides some unexpectedly clever visuals. And, best of all, it has Christopher Walken.

 
You’ve Got Snail Mail: "The Lake House," "Nacho Libre," and "Garfield: A Tail of Two Kitties" PDF Print E-mail
Reviews
Written by Mike Schulz   
Tuesday, 20 June 2006 22:56

Sandra Bullock and Keanu Reeves in The Lake HouseTHE LAKE HOUSE

In The Lake House, Sandra Bullock plays Kate Forster, a Chicago doctor living in the glass-encased home of the movie's title. Upon abandoning her domicile for a move back to the city, Kate leaves a letter for the next tenant in the edifice's mailbox; the note is received by Keanu Reeves' architect Alex Winter, who responds, thus beginning a pen-pal relationship between the two. Based on their shared tastes, histories, and a fondness for melancholic gush, it's obvious the two are Meant for Each Other. But, unfortunately, a Happily Ever After doesn't appear in the offing, as there's a major hitch to their relationship: Kate lives in 2006, while Alex is firmly nestled in 2004.

 
"Companion" Piece: "A Prairie Home Companion," "Cars," and "The Omen" PDF Print E-mail
Reviews
Written by Mike Schulz   
Tuesday, 13 June 2006 23:11

Garrison Keillor, Meryl Streep, and Lindsay Lohan in A Prairie Home CompanionA PRAIRIE HOME COMPANION

One of the many glories of Robert Altman is that he never pretends to know everything there is to know about the characters in his movies, and doesn't expect his audiences to, either. In an Altman film, you may think you have someone all figured out, until a later scene proves that you haven't begun to understand what makes them tick; Altman is fascinated with the dichotomy between characters' public and private faces. (It makes perfect sense that he eventually filmed a murder mystery.) It sometimes seems that there's not much going on in an Altman movie, and audiences could easily assume the same about the director's latest, A Prairie Home Companion. But if you're as enthralled with character as the director is, and with the drama of actors gradually revealing character, his ambling, "plotless" films can be sheer bliss.

 
Fighting for the Right to Be Prepared: "Scout’s Honor," at the QCAD Fundraiser, June 16 PDF Print E-mail
Reviews
Written by Mike Schulz   
Tuesday, 13 June 2006 23:08

Steven Cozza of Scout's HonorSCOUT'S HONOR

"To keep myself physically strong, mentally awake, and morally straight" have, since 1910, been the closing words of the Boy Scout Oath. The question of what, exactly, constitutes "morally straight" is the subject of Tom Shepard's award-winning documentary Scout's Honor, which will be screened at the Figge Art Museum as part of Quad-Citians Affirming Diversity's June 16 fundraiser.

 
"The Break-Up" Is Hard to View: Also, "The Living Sea" PDF Print E-mail
Reviews
Written by Mike Schulz   
Tuesday, 06 June 2006 23:39

Vince Vaughn and Jennifer Aniston in The Break-UpTHE BREAK-UP

There are a whole bunch of different movies circulating within the Vince Vaughn/Jennifer Aniston comedy The Break-Up, and every single one of them is more enjoyable than the one they're stuck in. Director Peyton Reed's film concerns the battle of wills that commences once Vaughn's Gary and Aniston's Brooke decide to split, but here are five of The Break-Up's subplots that, I'm guessing, would have made for far more entertaining feature-length viewing

 
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