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Reviews
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Written by Mike Schulz
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Tuesday, 24 September 2002 18:00 |
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THE BANGER SISTERS
The Banger Sisters is a textbook example of the alchemy that can occur when two movie stars, stuck in a rather worthless vehicle, say, “What the hell, let’s run with it.”
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Reviews
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Written by Mike Schulz
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Tuesday, 17 September 2002 18:00 |
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ONE HOUR PHOTO
One Hour Photo has a simple, juicy premise that’s just right for an art-film creepshow. The meek, late-middle-aged nebbish Sy Parrish (Robin Williams) has, for 11 years, run the photo lab at the California discount store Sav-Mart and has become inordinately fond of his regular customers, the Wilsons.
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Reviews
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Written by Mike Schulz
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Tuesday, 10 September 2002 18:00 |
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CITY BY THE SEA
If Robert De Niro ever decides to quit acting, I hope he receives retirement benefits from the NYPD. In Michael Caton-Jones’s police melodrama City by the Sea, De Niro plays Vincent LaMarca, who is, by rough estimate, the 7,000th cop character he has played onscreen in the past two decades.
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Reviews
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Written by Mike Schulz
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Tuesday, 03 September 2002 18:00 |
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THE GOOD GIRL
The Good Girl is the most fun I’ve had at the movies since Spider-Man and, with the possible exception of Y tu mama tambien, the finest movie I’ve seen all year, and I can’t begin to describe how shocking that is.
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Reviews
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Written by Mike Schulz
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Tuesday, 27 August 2002 18:00 |
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SIMONE
Andrew Niccol appears to be obsessed with a theme that, in all likelihood, he can spend his entire filmmaking career exploring: What is the nature of reality? In 1997’s vastly underrated Gattaca, which Niccol wrote and directed, he investigated the perils of genetic engineering, as his biologically “natural” protagonist Vincent assumed the identity of the genetically “perfect” Jerome to further his space-exploration career; the film, which on paper might seem a cerebral sci-fi comedy of mistaken identity, dramatized what it meant to be “real” in an unreal world, and was a heady, thrilling experience.
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