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"Hide & Seek" Can’t Bear Its Cheap Twist: Also, "Boogeyman" and "Alone in the Dark" PDF Print E-mail
Written by Mike Schulz   
Monday, 07 February 2005 18:00

Dakota Fanning in Hide & SeekHIDE & SEEK

(Warning: Potential spoilers – for both Hide & Seek and Million Dollar Baby – ahead. Proceed with caution.) If you haven’t yet seen Clint Eastwood’s Million Dollar Baby, it might be too late to do so without prejudice, since numerous critics, pundits, and op-ed writers have probably already ruined the film for you.

"Baby" Tops in 2004 – and Eastwood’s Career: "Million Dollar Baby," "Hotel Rwanda," and "In Good Company" PDF Print E-mail
Written by Mike Schulz   
Tuesday, 01 February 2005 18:00

Clint Eastwood and Hilary Swank in Million Dollar BabyMILLION DOLLAR BABY

Despite featuring a few peripheral figures, Clint Eastwood’s Million Dollar Baby is essentially a three-character mood piece, yet Eastwood, co-stars Hilary Swank and Morgan Freeman, and screenwriter Paul Haggis invest the material with so much emotional and intellectual accuracy that the results border on the overwhelming.

"What the Bleep Do We Know?" Undermined by Messiness: Also, "Assault on Precinct 13" and "Coach Carter" PDF Print E-mail
Written by Mike Schulz   
Tuesday, 25 January 2005 18:00

Marlee Matlin in What the Bleep Do We Know?WHAT THE BLEEP DO WE KNOW?

The ideas expressed in the New Age-y pseudo-doc What the Bleep Do We Know? are inherently intriguing and endlessly debatable. What a shame that the movie itself is such a spectacular mess.

"House of Flying Daggers" an Intoxicating Action Spectacle: Also, "Elektra" and "Kinsey" PDF Print E-mail
Written by Mike Schulz   
Tuesday, 18 January 2005 18:00

House of Flying DaggersHOUSE OF FLYING DAGGERS

Like many of us, one of my favorite movie memories will forever remain the moment in The Wizard of Oz when Dorothy opens the door of her black-and-white world to reveal the dazzling hues of Munchkinland; the impression that left on me as a child – the colors seemed more vibrant than any you’d encounter in real life – was so profound that, seeing the movie again as an adult, the scene still gets me a little misty-eyed.

2004 in Movies PDF Print E-mail
Feature Stories
Written by Mike Schulz   
Tuesday, 11 January 2005 18:00
Was I feeling especially sensitive in 2004, or were the year’s most memorable cinematic works, coincidentally, the most unabashedly romantic ones? It could certainly be me – the only (fictional) televised event that moved me to tears was the unlikely but enormously satisfying kiss between Martin Freeman’s Tim and Lucy Davis’ Dawn on The Office Special.

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