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Written by Mike Schulz
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Monday, 01 October 2012 07:11 |
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LOOPER
Rian Johnson’s Looper, a time-travel thriller set primarily in the year 2044, casts Joseph Gordon-Levitt as a contract killer whose life is upended with the arrival of his latest target: his older self, who has been transported from the year 2074 and is played by Bruce Willis. This means that, with Gordon-Levitt delivering rather uncanny likenesses of his co-star’s traditional scowls and smirks – and with the younger actor’s countenance bizarrely altered to resemble the elder actor’s familiar face – Willis essentially plays both leading roles ... which isn’t the most enticing of setups if, like me, you generally find one Bruce Willis more than enough.
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Movies -
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Written by Mike Schulz
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Sunday, 23 September 2012 21:32 |
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THE MASTER
Some 40 minutes into The Master – Paul Thomas Anderson’s fascinating, vexing drama about the leader of a questionable self-actualization movement and the man’s devoted acolyte – there’s a scene between stars Joaquin Phoenix and Philip Seymour Hoffman so thunderously well-written and -performed that, for movie lovers, it might singlehandedly make viewing the film less recommended than mandatory.
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Written by Mike Schulz
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Sunday, 23 September 2012 21:27 |
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TROUBLE WITH THE CURVE
The latest movie to star Clint Eastwood, marking the icon’s first on-screen appearance since 2008’s Gran Torino, is director Robert Lorenz’s baseball drama Trouble with the Curve. That curve, by the way, is the least of this film’s troubles.
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Written by Mike Schulz
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Sunday, 16 September 2012 12:31 |
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RESIDENT EVIL: RETRIBUTION
If you were at a Friday-afternoon screening of Resident Evil: Retribution and heard, some 30 seconds before the end credits, an audible groan of frustration and annoyance, I apologize if my unplanned outburst was distracting. I just couldn’t believe that this mindless, endless series was going to require yet another freakin’ sequel.
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Movies -
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Written by Mike Schulz
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Sunday, 09 September 2012 08:44 |
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THE WORDS
Three separate narratives dovetail in The Words, a modestly engaging morality drama by writers/directors Brian Klugman and Lee Sternthal. Yet ironically enough, the one narrative I never bought into was the one that’s meant to be the most believable, though heaven knows the other two aren’t exactly models of cinematic authenticity.
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More Articles...
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"Get the Hell Out of Me!": "The Possession," "Lawless," and "Celeste & Jesse Forever"
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Draining Wheels: "Premium Rush," "Hit & Run," and "2016: Obama's America"
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Old Habits Die Hard: "The Expendables 2," "ParaNorman," and "The Odd Life of Timothy Green"
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The Running Men: "The Campaign," "The Bourne Legacy," "Nitro Circus: The Movie," and "Hope Springs"
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Really, Really Secret Agent Man: "Total Recall" and "Diary of a Wimpy Kid: Dog Days"
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There Goes the Neighborhood: "The Watch" and "Step Up Revolution"
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Scraped Crusader: "The Dark Knight Rises" and "Red Stroke"
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Cold Turkey: "Ice Age: Continental Drift" and "Safety Not Guaranteed"
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Viva Italia!: "To Rome with Love," "Savages," and "Katy Perry: Part of Me"
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Webb’s Slinger: "The Amazing Spider-Man," "Tyler Perry’s Madea’s Witness Protection," and "Rescue 3D"
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