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Written by Mike Schulz
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Saturday, 06 August 2011 18:13 |
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THE CHANGE-UP
The Change-Up, in which Jason Bateman’s discontented husband and father magically swaps bodies with Ryan Reynolds’ perfectly contented slacker dumb-ass, is an appallingly smutty and juvenile slapstick. In the segment that finds Reynolds (in Bateman’s body) preparing a late-night feeding for his pal’s infant twins – with one tot seen playing with butcher knives and the other reaching into the blender and sticking his tongue into an electrical socket – it features one of the most painfully unfunny scenes in cinema history, and I’m not excluding any given scene in Sophie’s Choice or Schindler’s List.
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Written by Mike Schulz
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Sunday, 31 July 2011 16:51 |
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COWBOYS & ALIENS
A full six writers are credited with the script and screen story for director Jon Favreau’s sci-fi/Western hybrid Cowboys & Aliens, which, based on the evidence, averages out to them contributing roughly half a fresh idea apiece. And I’m including the inspiration to call its saloon-keeper, rather than its doctor, "Doc."
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Written by Mike Schulz
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Sunday, 24 July 2011 08:50 |
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FRIENDS WITH BENEFITS
Modern romantic comedies are in such generally dismal shape that I feel ungrateful for wishing that Friends with Benefits were better than it actually is. But while it’s impossible to fully dislike any movie that finds a nitwit shrieking “John Mayer is our generation’s Sheryl Crow!” or features a couple making a solemn vow on the Bible app of the woman’s iPad, I left director Will Gluck’s latest thinking that the film had just missed its mark. And that, after two frequently hysterical features in a row (2009’s Fired Up!, Gluck’s directorial debut, and last year’s Easy A), its helmer had just missed his trifecta. Damn it.
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Written by Mike Schulz
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Sunday, 24 July 2011 08:45 |
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THE TREE OF LIFE
Terrence Malick’s The Tree of Life is total bliss, and I mean that in the term’s general and theological definitions.
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Written by Mike Schulz
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Sunday, 17 July 2011 19:32 |
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HARRY POTTER & THE DEATHLY HALLOWS: PART 2
As the end credits began rolling at my screening of Harry Potter & the Deathly Hallows: Part 2, the (need I say it?) final installment in the film series adapted from J.K. Rowling’s beloved novels, I’ll admit that I anticipated more applause than I actually heard. Then again, it’s awfully hard to clap while simultaneously wiping tears from your cheeks.
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