Schulz's MediaCom VOD Picks
Suscribe to Weekly RiverCitiesReader.com Updates
* indicates required

View previous campaigns.

Latest Comments

Hocus Bogus: "Now You See Me" and "After Earth" PDF Print E-mail
Movies - Reviews
Written by Mike Schulz   
Sunday, 02 June 2013 16:49

Jesse Eisenberg, Isla Fisher, Woody Harrelson, and Dave Franco in Now You See MeNOW YOU SEE ME

Given its premise, its cast, and the fact that it’s a summertime release without a superhero or a number (or both) in the title, it was easy to feel jazzed about the prospect of Now You See Me, director Louis Leterrier’s effects-driven caper about larcenous Las Vegas magicians scoring the heist of the century. Unfortunately, it took all of three minutes for that anticipatory excitement to turn, for me, into irritation, which then turned into active aggravation, which then turned into a disengaged torpor that lasted until the end credits rolled. Ta da.

 
Dead Sober: "The Hangover Part III," "Epic," and "Fast & Furious 6" PDF Print E-mail
Movies - Reviews
Written by Mike Schulz   
Sunday, 26 May 2013 16:16

Bradley Cooper, Zach Gailianakis, and Ed Helms in The Hangover Part IIITHE HANGOVER PART III

Not long into The Hangover Part III, our mishap-prone heroes portrayed by Bradley Cooper, Ed Helms, and Zach Galifianakis are seen sipping beers at a karaoke bar, discussing the best way to handle their latest mess initiated by Ken Jeong’s eccentric gangster/eternal thorn-in-the-side Mr. Chow. Though this might constitute a minor spoiler, the casual drinks consumed in this scene are, to my recollection, the only drinks – indeed, the only judgment-impairing substances of any kind – consumed in the entire movie. That makes director Todd Phillips’ outing a Hangover without hangovers. In the end, it’s also a Hangover without The Hangover.

 
Lively, Long, and Prosperous: "Star Trek Into Darkness" PDF Print E-mail
Movies - Reviews
Written by Mike Schulz   
Saturday, 18 May 2013 12:09

Zachary Quinto and Chris Pine in Star Trek Into DarknessSTAR TREK INTO DARKNESS

Star Trek Into Darkness opens on a note of frenzied, almost satiric busyness. For reasons initially left unexplained, and in a set piece suggesting a futuristic Raiders of the Lost Ark, Captain Kirk and “Bones” McCoy are first seen racing through a jungle of crimson foliage on a foreign planet, attempting to escape the clutches of dozens of yowling savages with black eyeballs and papier-mâché skin. The chase eventually leads the pair to the edge of a cliff where they leap into the water below, just as Mr. Spock – much to the concern of his unusually panicked fellow crew members – beams into the belly of an active, ready-to-burst volcano. Director J.J. Abrams’ franchise extender isn’t even five minutes old, and between the shouting, the manically staged mayhem, the whiplash editing, and composer Michael Giacchino’s pummeling score, it already feels like a typically overstuffed blockbuster sequel, yet one without any of the wit that Abrams brought to 2009’s terrifically witty Star Trek reboot. But then something wonderful happens.

 
Out with the Old Sport, in with the New: "The Great Gatsby," "Mud," and "Peeples" PDF Print E-mail
Movies - Reviews
Written by Mike Schulz   
Sunday, 12 May 2013 16:34

Carey Mulligan and Leonardo DiCaprio in The Great GatsbyTHE GREAT GATSBY

Although, in the end, the film wound up an engaging and surprisingly touching entertainment, and it’s visually spellbinding throughout, the first half hour of Baz Luhrmann’s The Great Gatsby felt, to me, exactly like the first half hours of all Baz Luhrmann movies: annoying as hell.

 
Heavy Metal: "Iron Man 3" and "Space Junk 3D" PDF Print E-mail
Movies - Reviews
Written by Mike Schulz   
Sunday, 05 May 2013 20:01

Robert Downey Jr. in Iron Man 3IRON MAN 3

Iron Man 3 begins with narration by Tony Stark, the superheroic multi-billionaire voiced and eventually embodied, as always, by Robert Downey Jr. His tone is steady and somber as he makes ominous pronouncements about the uncertain state of the world and how we each create our own demons and such, but before long, Stark’s more expectedly breezy, wise-ass nature takes over – he stumbles over his words and realizes his blathering isn’t really going anywhere, and quickly puts a kibosh on the opening address. The whole routine is reminiscent of Woody Allen’s hilariously neurotic “Chapter one ... ” intro at the start of Manhattan, and immediately suggests that this second sequel to 2008’s effects-laden blockbuster will be both deathly serious and happily insouciant. And it is. I’m just not completely convinced, in the case of Iron Man 3, that that’s a good thing.

 
<< Start < Prev 11 12 13 14 15 16 17 18 19 20 Next > End >>

Page 12 of 156