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Period Piece: "Carrie," "The Fifth Estate," and "Escape Plan" PDF Print E-mail
Movies - Reviews
Written by Mike Schulz   
Sunday, 20 October 2013 16:31

Chloe Grace Moretz in CarrieCARRIE

(Author’s note: Spoilers will abound. Given that the movie under consideration is an oftentimes word-for-word updating of a 37-year-old work, I hope I’ll be forgiven for them.)

As remakes of beloved genre classics go, I suppose there’s little point in being bothered by the new Carrie. Director Kimberly Peirce’s outing, after all, is easy to sit through, smartly staged, generally well-acted, and, in most regards, incredibly faithful to Brian De Palma’s 1976 original (which was, itself, reasonably faithful to Stephen King’s debut novel of 1974). The CGI effects are pretty weak, and the movie isn’t even slightly scary, and considering that nearly all sentient beings know what happens to poor Carrie White at the prom – with the movie’s entire advertising campaign based on post-prom imagery – there’s almost nothing in the way of storyline surprise, but whatever. It’s fine.

 
Rogue, Rogue, Rogue … . Your Boat! "Captain Phillips," "Machete Kills," and "Grace Unplugged" PDF Print E-mail
Movies - Reviews
Written by Mike Schulz   
Sunday, 13 October 2013 20:05

Tom Hanks and Mahat M. Ali in Captain PhillipsCAPTAIN PHILLIPS

We’ve all seen movies that begin spectacularly well but seem to slowly, sadly lose their inspiration as they progress, leaving you to wonder, by their finales, what it was that initially had you so jazzed about them. Paul Greengrass’ dramatic thriller Captain Phillips, I’m happy to say, is not one of those movies. Actually, it might be the exact opposite of one of those movies: a work that starts out distractingly shaky yet gradually morphs into something utterly spectacular – so spectacular, in truth, that you can barely remember how off-put you were by the comparative bummer of its early scenes.

 
Homecoming Float: "Gravity," "Runner Runner," "Generation Iron," and "Metallica Through the Never" PDF Print E-mail
Movies - Reviews
Written by Mike Schulz   
Sunday, 06 October 2013 19:47

Sandra Bullock and George Clooney in GravityGRAVITY

Alfonso Cuarón’s space thriller Gravity opened this past weekend, and if you haven’t seen it yet, you really should. Like, now. I’m serious. Step away from whatever electronic device you’re using to read this and get in line at the cineplex – or, if the cineplex isn’t currently open for business, drive over there and wait. Don’t be one of those people who procrastinates until the movie hits home video and then whines about missing it on its initial release. Because I’m telling you: You’re gonna want to catch Cuarón’s latest on the big screen, and preferably on the biggest screen possible with your 3D glasses firmly in place. No kidding, folks: This thing is going to blow your mind.

 
Give Him This Day His Daily Porn: "Don Jon," "Baggage Claim," and "Cloudy with a Chance of Meatballs 2" PDF Print E-mail
Movies - Reviews
Written by Mike Schulz   
Sunday, 29 September 2013 21:39

Joseph Gordon-Levitt and Scarlett Johansson in Don JonDON JON

Writer/director/star Joseph Gordon-Levitt’s Don Jon casts its auteur as a New Jersey bartender obsessed with pornography, and you can view the film as an extremely raunchy romantic comedy, or an untraditional coming-of-age saga, or a mostly lighthearted exploration of the perils of addiction. But I prefer to think of Gordon-Levitt’s sprightly, confident filmmaking debut more as a modernized Pinocchio, in which, through lessons learned and a touch of magic, a creature made of wood – or rather, one sporting wood – eventually becomes a real live boy.

 
Race War: "Rush" and "Room 237" PDF Print E-mail
Movies - Reviews
Written by Mike Schulz   
Sunday, 29 September 2013 21:33

Chris Hemsworth and Daniel Bruhl in RushRUSH

While experiencing the technical craftsmanship of director Ron Howard’s Rush, with Slumdog Millionaire cinematographer Anthony Dod Mantle working at peak ability and the sound effects and editing exquisite throughout, I was frequently tempted to say, “Wow.” Too bad that the film’s overall presentation more often had me asking, “Why?”

 
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