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"Unbreakable" Fails to Build on Promise -- or Premise PDF Print E-mail
Movies - Reviews
Written by Mike Schulz   
Tuesday, 28 November 2000 18:00

Samuel L. Jackson in UnbreakableUNBREAKABLE

You gotta give M. Night Shymalan credit: The man gives great preview. Though it’s impossible to determine just how much of a hand he had in creating the theatrical trailer for his new thriller Unbreakable, by the time the words “from the writer/director of The Sixth Sense” hit the screen, they’re completely superfluous; a mere 30 seconds in, you know it couldn’t possibly be the work of anyone else.

 
Giving Romantic Comedy a "Bounce": Also, "Dr. Seuss' How the Grinch Stone Christmas" PDF Print E-mail
Movies - Reviews
Written by Mike Schulz   
Tuesday, 21 November 2000 18:00

Ben Affleck and Gwyneth Paltrow in BounceBOUNCE

Writer-director Don Roos might never be a great filmmaker – his staging is obvious in that Kevin Smith way (a lot of two-shots of characters talking) and there’s no real visual life on display. But he’s wonderful with actors, and he has a great ear for dialogue, writing realistic lines that can flip in a moment’s notice to something truly comic or poignant.

 
The Billy Club: "Billy Elliot" and "Men of Honor" PDF Print E-mail
Movies - Reviews
Written by Mike Schulz   
Tuesday, 14 November 2000 18:00

Jamie Bell in Billy ElliotBILLY ELLIOT

Billy Elliot, the British coming-of-age comedy/drama that has finally opened wide after a successful art-house run, is for anyone who longs to see a strong, simple story finely detailed and exquisitely performed.

 
Sleepy and Dopey: "The Legend of Bagger Vance" and "Charlie's Angels" PDF Print E-mail
Movies - Reviews
Written by Mike Schulz   
Tuesday, 07 November 2000 18:00

Will Smith and Matt Damon in The Legend of Bagger VanceTHE LEGEND OF BAGGER VANCE

The Legend of Bagger Vance, Robert Redford’s golfing fable, isn’t a work of any depth, and there’s precious little intelligence on display, but it sure looks pretty – so pretty, in fact, that audiences might not realize that the movie itself is a dud. From the golden-hued cinematography of the great Michael Ballhaus to the stunning, Depression-era costuming and production design, it’s clear that the film has been made with the utmost care and a real attention to physical and aural beauty; if you didn’t understand a word of English, you might find it a masterpiece.

 
Dim and Dimmer: "Book of Shadows: Blair Witch 2" and "Lucky Numbers" PDF Print E-mail
Movies - Reviews
Written by Mike Schulz   
Thursday, 02 November 2000 18:00

Kim Director and Erica Leerhsen in Book of Shadows: Blair Witch 2BOOK OF SHADOWS: BLAIR WITCH 2

Let’s face it: There was plenty of built-in expectation with the arrival of Book of Shadows: Blair Witch 2, and the expectation was that the film would suck. Those who loved The Blair Witch Project, as I did, would miss that film’s cinéma vérité style and simplicity, and rail on about how Book of Shadows was exactly the kind of dumbed-down splatter flick that Blair Witch rebelled against. Those who hated the original, which seems the more common response (at least among my acquaintances), would have their beliefs confirmed that the whole Blair Witch “mythology” is lame, and that we’ve been hoodwinked by marketing and Internet paranoia into making these movies hits. Wouldn’t it be great to report that this sequel had defied its skeptics and emerged as smashing entertainment?

 
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