Going to the cineplex this weekend? Every Friday morning at 9 a.m. you can listen to Mike Schulz dish on recent movie releases & talk smack about Hollywood celebs on the Quad City Rocker ROCK 104-9FM, with the fabulous morning team of Rock1049.com. The morning crew previews upcoming releases, too.
Or you can check the Reader Web site and listen to their latest conversation by the warm glow of your computer.
Never miss a pithy comment from these three scintillating pundits again.
Friday, June 27, 2014: Discussion of "Jersey Boys" and "Think Like a Man Too," and a preview of "Transformers: Age of Extinction," the clip for which has Mark Wahlberg's vehicle talking -- talking -- about the Autobots, and Wahlberg then coming to the conclusion that the vehicle might be a Transformer. Can't pull nothin' over on Mark.
Jersey Boys, Clint Eastwood’s film version of 2005’s still-running Broadway smash, is a big, bizarre, cornball, clever, terrible, wonderful movie. It’s hard to fathom what, beyond its inherent appeal, made Eastwood want to take on the project; this bio-musical about 1960s pop sensations the Four Seasons seems so clearly designed for Scorsese that’s it’s almost some kind of joke that it instead wound up in the hands of a man who, stylistically and temperamentally, is Scorsese’s polar opposite. Yet somehow, astonishingly, the damned thing works. Its parts may be stronger than the whole – at least if you’re allowed to cherry-pick the parts – but the film is affecting and entertaining and alive, and exudes more sheer joy than any other title on Eastwood’s 43-year directing résumé.
This past Friday was my birthday. (Aw, thank you for asking! Belated gifts can be sent care of the Reader!) And like a present delivered specifically for me, the day brought with it not only two movies featuring Jonah Hill – even if one only features the voice of Jonah Hill – but two follow-ups I wasn’t at all dreading: 22 Jump Street, the sequel to a comedy I loved, and How to Train Your Dragon 2, the sequel to an animated adventure I liked just fine. I suppose it was both fitting and inevitable, then, that I wound up liking the former just fine, and the latter ... well, I didn’t love it, but I did enjoy it a heck of a lot more than the original.
The first words heard in the romantic tearjerker The Fault in Our Stars come from Shailene Woodley’s cancer-stricken teen Hazel, who tells us, in voice-over narration, that Hollywood movies are never honest in their depiction of sad stories, and promises that when it comes to the sad story she’s about to relate, “This is the truth.” And in retrospect, the film lost me with those four little words, because almost nothing that happened over the next two-plus hours felt even close to true.
Disney’s Maleficent is director Robert Stromberg’s re-imagined fairy tale told from the perspective of, and with much empathy for, the sorceress who put the “Sleeping” in Sleeping Beauty. If this is the beginning of a trend – one in which the studio, in effect, remakes its animated classics so that their evil villains are no longer evil or villainous – I can’t wait to see what’s in store for us next. A baby Scar who seeks vindication after other lion cubs make fun of his unfortunate birthmark? A young, svelte Ursula the Sea Witch driven to malice and gluttony when her sister is turned into caviar?