THE TAKING OF PELHAM 1 2 3

Set in modern-day New York City, director Tony Scott's action-thriller The Taking of Pelham 1 2 3 finds Denzel Washington playing transit-authority executive Walter Garber, a conscientious worker and devoted family man accused of accepting bribes, and consequently - 799 WORDS TO GO!!! - demoted to the rank of dispatcher. One afternoon, while monitoring routine subway transport, Garber notices an irregular stop made by one particular train, and attempts to make radio contact with its motorman. Instead, he makes contact with the train's hijacker, a tattooed psychopath who calls himself Ryder, and - 751 WORDS TO GO!!! - is played by John Travolta. Ordering Garber to secure a ransom of $10 million, Ryder insists that he'll begin shooting passengers if his demands aren't met, and given an hour to procure the money, Garber, a hostage negotiator (John Turturro), and the city's mayor (James Gandolfini) unite to stop the - 700 WORDS TO GO!!! - madman from ... .

Oh, I'm sorry, are those interruptions irritating? Well, you'd better get used to it - gripping and entertaining though it mostly is, Scott's movie oftentimes feels like the cinematic equivalent of that opening paragraph.

Directed and co-written by Pete Docter, Pixar's Up -- the studio's 10th full-length animated feature -- is so funny, touching, and inventive that I felt like a bit of an ingrate, if not a complete jerk, for wishing it were just a little bit better.

NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN

Night at the Museum: Battle of the Smithsonian is to its precursor what Ghostbusters II is to Ghostbusters: the less-novel offering, sure, but a follow-up of surprising wit and great throwaway touches, and one that, in many ways, improves on source material that was pretty terrific to begin with. Despite its titular locale, no one is going to mistake director Shawn Levy's adventure comedy for a work of art, yet when this follow-up is really working - which is surprisingly often - it provides a giddy, giggly rush, and it's filled with comic bits that you could probably watch three or four times in succession and laugh at every single time. The movie is scrappy, silly, and a load of fun.

STAR TREK

J.J. Abrams' Star Trek revamp is the second pop-mythology origin tale that Hollywood has delivered this month, and it's a pleasure to report that the film is everything Wolverine isn't: speedy, smart, thrilling, funny, and, in the end, almost criminally enjoyable.