An Oscar-winning smash that Rotten Tomatoes' critical consensus says "delivers a must-see experience for fans of thinking person's sci-fi," and presented by Filmosofia and the Socratic Society, Denis Villeneuve's acclaimed 2016 film Arrival enjoys a special May 2 at Rock Island venue Rozz-Tox, its raves including The Telegraph deeming the work an "introspective, philosophical, and existentially inclined" work that "unfolds in an unwavering tenor of chest-tightening excitement."

Currently standing with a 97-percent "freshness rating" on Rotten Tomatoes and hailed by the Web site as "beautifully bittersweet," director Alexander Payne's Oscar-winning comedic drama The Holdovers enjoys a May 9 screening with the Rock Island Public Library's downtown-branch Downtown Movie Club, with the New York Times raving that "even as the story accrues the heft of personal tragedy, each scene seems to float or bob."

What is a marketing team to do when the element guaranteed to get butts in seats – in truth, the film's entire reason for being – is the one element that shouldn't be spoiled in advance?

With the April 28 event hosted by Quad Cities Pride in Memory, Inc., audiences are invited to Davenport venue The Last Picture House for an exciting and important red-carpet fundraiser for Our Story: Pride in Memory, a forthcoming documentary, currently in production, by Emmy Award-winning filmmakers Kelly and Tammy Rundle of Moline's Fourth Wall Films,

Unbiased journlalists may seem hard to find these days. But as Alex Garland's film reminds us, they're still out there, and they're not the problems – they're the messengers. And you don't shoot the messengers. Except that here, other Americans very much do.

Where Anthony Minghella's The Talented Mr. Ripley adaptation was luscious, passionate, and emotional, Steven Zaillian's Ripley is chilly, controlled, and cerebral – an entertainment for the head rather than the heart. But yowza did this thing make my head spin. Not for nothing, but at least once per episode, it also made me laugh my ass off.

A Cannes Film Festival Jury Prize recipient that was also nominated for prestigious Palme d’Or, and the French Cesar Award winner for Best Foreign Film, French-Canadian director Xavier Dolan's Mommy enjoys a special April 18 screening as part of the Figge Art Museum's Free Film at the Figge series, the drama lauded by the Montreal Gazette as "an ode to the strength of tough working-class single mothers everywhere."

Demonstrating that what unites us is more important than what divides us, the Emmy Award-winning filmmakers Kelly and Tammy Rundle of Fourth Wall Films turn their documentary lens on their Quad Cities home base in Augustana College's Olin Auditorium screening of Moved by Waters, enabling viewers, on April 4, to discover a network of people and organizations working toward improved water quality in the Upper Mississippi watershed.

I'd hardly consider Godzilla x Kong on par with the Oscar-winning genius of Godzilla Minus One, or even a number if its lesser forebears. But I would place it next to, say, the screen adaptation of Five Nights at Freddy's. Take that as whatever recommendation/warning you wish.

When Finn Wolfhard's Trevor Spengler tells his mom about some potentially ghostly strangeness taking place in their inherited firehouse, Carrie Coon's Callie spends their entire conversation absentmindedly scrolling. That's Ghostbusters: Frozen Empire: Not worth the energy it would take to lift your eyes from your phone.

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