The reasons that even Herbert virgins might want to consider showing up for Dune: Part Two lie less with the tale's specifics than the sorts of massive pleasures that only works of this magnitude provide.

Can a sweep year at the Oscars also be a spread-the-wealth year at the Oscars?

Just what is it going to take for Joel and Ethan Coen to end this silly separation of theirs and get back together? An online petition? A generous gift basket? A promise to reconsider the merits of Intolerable Cruelty?

Lauded by the Alliance of Women Journalists as a "must-see" that is "fascinating and eye-opening," director Matthew Mishory's Who Are the Marcuses? enjoys a March 3 screening at Davenport's Figge Art Museum as the sixth and final presentation in River Action's 2024 QC Environmental Film Series, this special showing hosted by the Jewish Federation of the Quad Cities described by the Jewish Journal as "a story about wealth, generosity, innovation, and Israeli pragmatism."

Just how good is Kingsley Ben-Adir as the title character in Bob Marley: One Love? So good that I couldn't make out half of what he was saying.

With the screening of the 39-minute documentary hosted by Augustana College's Student Sierra Club, director David Byars' short film We the Power will enjoy a February 25 screening at Davenport's Figge Art Museum as the fifth presentation in River Action's 2024 QC Environmental Film Series, the release sponsored by the outdoor-apparel company Patagonia, recognized internationally for its commitment to environmental activism and its contributions of more than $110 million in grants and in-kind donations.

I wondered how my pals from the '80s might've collectively reacted to director Zelda Williams' and screenwriter Diablo Cody's new horror comedy had it actually been released in the year of its 1989 setting. My guess is we would've thought that it was pretty lame but had some decent laughs; that Heathers and Beetlejuice did the same sort of thing much better; and that the movie was only worth our time because we got to see it for free.

An adaptation of Peter Wohlleben's bestselling book that, according to the New York Times, "uses the sensorial capacities of cinema to thrillingly visualize Wohlleben's observations," the 2020 documentary The Hidden Life of Trees will enjoy a February 18 screening at Davenport's Figge Art Museum as the fourth presentation in River Action's 2024 QC Environmental Film Series, the film also lauded by the National Post as "a fascinating walk in the woods."

With Variety magazine stating, in a prescient 1981 review, that its "mass of symbols and unbridled, brilliant directing meld this disparate tale into a film that could get cult following on its many levels of symbolism and exploitation," Polish writer/director Andrzej Żuławski's classic Possession will be screened at Rock Island's Rozz-Tox venue on February 16, Rolling Stone's David Fear also lauding the excitingly edgy work as "a body-horror answer to Kramer vs. Kramer."

I now have to watch The Zone of Interest again – and maybe again and again. It may be too massive for only one viewing. As I've learned, it certainly appears too massive for one viewing without a dialogue afterward

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