Denzel Washington in The Taking of Pelham 1 2 3THE TAKING OF PELHAM 1 2 3

Set in modern-day New York City, director Tony Scott's action-thriller The Taking of Pelham 1 2 3 finds Denzel Washington playing transit-authority executive Walter Garber, a conscientious worker and devoted family man accused of accepting bribes, and consequently - 799 WORDS TO GO!!! - demoted to the rank of dispatcher. One afternoon, while monitoring routine subway transport, Garber notices an irregular stop made by one particular train, and attempts to make radio contact with its motorman. Instead, he makes contact with the train's hijacker, a tattooed psychopath who calls himself Ryder, and - 751 WORDS TO GO!!! - is played by John Travolta. Ordering Garber to secure a ransom of $10 million, Ryder insists that he'll begin shooting passengers if his demands aren't met, and given an hour to procure the money, Garber, a hostage negotiator (John Turturro), and the city's mayor (James Gandolfini) unite to stop the - 700 WORDS TO GO!!! - madman from ... .

Oh, I'm sorry, are those interruptions irritating? Well, you'd better get used to it - gripping and entertaining though it mostly is, Scott's movie oftentimes feels like the cinematic equivalent of that opening paragraph.

Zach Galifianakis, Bradley Cooper, and Ed Helms in The HangoverTHE HANGOVER

Imagine yourself at a wild, debaucherous, shameful-good-time party, one at which you imbibe copious amounts of booze and laugh all night, yet one that you get to enjoy with no subsequent hangover. That's The Hangover.

Up's Carl FredricksenDirected and co-written by Pete Docter, Pixar's Up -- the studio's 10th full-length animated feature -- is so funny, touching, and inventive that I felt like a bit of an ingrate, if not a complete jerk, for wishing it were just a little bit better.

The conventional wisdom says that among the early entrants in the summer 2009 sweepstakes, Star Trek is a hit (and a winner in its first three weekends in our Box Office Power Rankings), Wolverine is a disappointment, and nobody cares about Angels and Demons. Yet X-Men Origins: Wolverine had the biggest North American opening of the three: $85 million.

Ben Stiller in Night at the Museum: Battle of the SmithsonianNIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN

Night at the Museum: Battle of the Smithsonian is to its precursor what Ghostbusters II is to Ghostbusters: the less-novel offering, sure, but a follow-up of surprising wit and great throwaway touches, and one that, in many ways, improves on source material that was pretty terrific to begin with. Despite its titular locale, no one is going to mistake director Shawn Levy's adventure comedy for a work of art, yet when this follow-up is really working - which is surprisingly often - it provides a giddy, giggly rush, and it's filled with comic bits that you could probably watch three or four times in succession and laugh at every single time. The movie is scrappy, silly, and a load of fun.

Tom Hanks in Angels & DemonsANGELS & DEMONS

You may not necessarily know character actor Armin Mueller-Stahl by name, but you likely know him by sight, and almost surely by voice. Familiar from such thrillers as Eastern Promises, The Game, and the recent The International - and Oscar-nominated as David Helfgott's über-strict father in Shine - the 78-year-old German, with his closely-cropped gray hair and wizened eye slits, doesn't look much different now from how he did playing Jessica Lange's is-he-a-Nazi-or-isn't-he? dad in 1989's Music Box. And he sounds exactly the same, with that heavily accented, hoarse whisper of his; by the time the performer reaches the end of a sentence, he always seems dangerously close to running out of breath.

STAR TREK

J.J. Abrams' Star Trek revamp is the second pop-mythology origin tale that Hollywood has delivered this month, and it's a pleasure to report that the film is everything Wolverine isn't: speedy, smart, thrilling, funny, and, in the end, almost criminally enjoyable.

wolverine.jpgThank Gods (I've been watching Battlestar Galactica, although to say I've been enjoying it would be an overstatement) that with X-Men Origins: Wolverine, the summer movie season is finally here. Normally, I would need Entertainment Weekly to tell me this, but our subscription lapsed. So I have to rely on the Wolverine television ads, which actually claim that those muttonchops are the first sign of the season.

Wolverine did well enough in its opening weekend, with $85 million domestically, but I'm afraid it might actually be an appropriate opener for summer 2009: the next installment of an established brand, and a movie that seems to excite very few people. Yes, they show up and pay their money the first weekend, but I think it's out of habit. Call it obligation cinema.

Hugh Jackman in X-Men Origins: Wolverine

X-MEN ORIGINS: WOLVERINE

As someone who really and truly adores the X-Men movies - even the Brett Ratner one, which hardly anyone likes - I was prepared to accept any number of flaws and disappointments in X-Men Origins: Wolverine just for the chance to watch Hugh Jackman bear his adamantium claws and toss off a few pithy, sarcastic zingers. And for a while, Jackman's presence was enough.

Algenis Perez Soto in SugarSUGAR

Let's face it: For area audiences, it's easy to be psyched about Anna Boden's and Ryan Fleck's baseball drama Sugar, large portions of which were filmed locally in the summer of 2007.

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