An original, critically acclaimed love story that explores the boundaries of artificial intelligence and the evolving nature and risks of intimacy in the modern world, writer/director Spike Jonze's Her will enjoy a special Free Film at the Figge screening on December 14, with the Davenport art museum's patrons invited to socialize and discuss the Oscar-winning movie afterward with a complimentary glass of wine.

Walking into our auditorium for Ridley Scott's Napoleon and not entirely looking forward to the experience, I half-jokingly told my brother and sister-in-law that we were at least catching the two-hour-40-minute version, and not the promised four-hour director's cut that will at some point stream on Apple+. But while I had more than my fill of turkey over Thanksgiving weekend, I'm happy to now eat a little crow, because Scott's historical epic is utterly sensational – bold, thrilling, unusual, and frequently very, very funny.

The rare prequel that actually makes a solid case for its existence, director Francis Lawrence's terrific dystopian thriller kept me invested for the entirety of its two-and-a-half hours – even if it was slightly odd that this big-budget, large-scale return of cinematic YA lit is wholly stolen by its grown-ups.

While experience tells me that I should already be leery of whatever Alexander Payne does for a followup act, I sure did enjoy his latest a lot.

If you know in advance that writer/director Sofia Coppola's latest film is going to cover the life of Priscilla Presley from the week of her introduction to Elvis to the day she walked out of Graceland for good, and also know that only one performer is going to play the role from ages 14 through 27, your first sight of Priscilla lead Cailee Spaeny might come as a shock.

While I didn't share my nine-year-old friend's enthusiasm, writer/director Emma Tammi's outing just may be the ideal horror-movie introduction for pre-teens – though if you catch it at our local cineplex, I might advise skipping the trailers.

In a program held in collaboration with Azubuike African American Council for the Arts and in conjunction with the venue's current exhibition Art & Activism at Tougaloo College, the hour-long documentary Standing Strong: Elizabeth Catlett will enjoy a November 9 screening at Davenport's Figge Art Museum, the Mid-America Emmy-nominated film highlighting the story of its titular artist and activist.

Move over, Gilligan: There’s a new three-hour tour that’s more popular than yours.

It's routinely said that what matters isn't the actual length of a movie, but rather how long a movie feels. Killers of the Flower Moon, Martin Scorsese's genre-blending tale of systemic murder set in early-20th-century Oklahoma, runs just slightly under three-and-a-half hours. Unlike Scorsese's 2019 The Irishman, however, which lasted about five minutes longer, his latest epic crime drama feels like three-and-a-half hours.

Lauded by the Atlanta Journal-Constitution as a "tribute to the transforming power of books" and by The Oregonian for its "memorable set pieces [that] illuminate the world around this subdued romantic triangle," Dai Sijie's 2002 Franco-Chinese film Balzac & the Little Chinese Seamstress will enjoy a November 2 screening at Davenport's Figge Art Museum, the romantic drama an awards nominee with the Golden Globes, the National Board of Review, and the Cannes Film Festival.

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