Writer/director Paul King's musical-comedy prequel Wonka isn't hard to enjoy. Yet I'd argue that it'll be even easier if you manage to divorce yourself from memories of previous Willy Wonkas – Roald Dahl's, for sure, but also Gene Wilder's and Johnny Depp's.

One of the most delightful romantic comedies in Hollywood history will enjoy at special December 22 showing when the Rock Island venue Rozz-Tox screens The Shop Around the Corner, the 1940 Ernst Lubitsch classic that inspired 1998's Tom Hanks/Meg Ryan hit You've Got Mail, was ranked number 28 on the American Film Institute's 100 Years... 100 Passions list, and is included in Time magazine's ranking of All-Time 100 Movies.

Its setting may be wintry New England in the early '60s, and its story may conclude on Christmas Day, but don't even think about mistaking director William Oldroyd's Eileen for feel-good seasonal fare: It's a cup of eggnog deliciously laced with strychnine.

The central figures in this thrillingly unsettling dramatic comedy are constantly projecting images of themselves as they desperately hope to be perceived, yet all three of them are deeply deluded – and only one of them will emerge unscathed with delusions blissfully intact.

The deservedly lauded homegrown talents Scott Beck and Bryan Woods are clearly In Demand, which makes it all the more impressive and special that they would dedicate time, money, and resources to giving the Quad Cities what we've sorely lacked: a beautiful, conveniently located establishment devoted to the collective moviegoing experience that will provide, as Beck and Woods insist, something for everyone, and on a weekly basis.

An original, critically acclaimed love story that explores the boundaries of artificial intelligence and the evolving nature and risks of intimacy in the modern world, writer/director Spike Jonze's Her will enjoy a special Free Film at the Figge screening on December 14, with the Davenport art museum's patrons invited to socialize and discuss the Oscar-winning movie afterward with a complimentary glass of wine.

Walking into our auditorium for Ridley Scott's Napoleon and not entirely looking forward to the experience, I half-jokingly told my brother and sister-in-law that we were at least catching the two-hour-40-minute version, and not the promised four-hour director's cut that will at some point stream on Apple+. But while I had more than my fill of turkey over Thanksgiving weekend, I'm happy to now eat a little crow, because Scott's historical epic is utterly sensational – bold, thrilling, unusual, and frequently very, very funny.

The rare prequel that actually makes a solid case for its existence, director Francis Lawrence's terrific dystopian thriller kept me invested for the entirety of its two-and-a-half hours – even if it was slightly odd that this big-budget, large-scale return of cinematic YA lit is wholly stolen by its grown-ups.

While experience tells me that I should already be leery of whatever Alexander Payne does for a followup act, I sure did enjoy his latest a lot.

If you know in advance that writer/director Sofia Coppola's latest film is going to cover the life of Priscilla Presley from the week of her introduction to Elvis to the day she walked out of Graceland for good, and also know that only one performer is going to play the role from ages 14 through 27, your first sight of Priscilla lead Cailee Spaeny might come as a shock.

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