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Label Readies Retrospective of Plundering Composer PDF Print E-mail
Music - Music News
Written by John James   
Tuesday, 10 April 2001 18:00
• The Canadian indie label Fony Records has just released a two-CD retrospective of one of alternative art-rock’s seminal architects, John Oswald, the original sampling poltergeist and plunderphonician. Oswald’s 25-year history as a composer, audio agitator, and media deconstructionist rose highest above the radar when he produced his legendary Plunderphonics experiment in the early 1980s.

 
DJ Smash Finds the Recipe for Jazzy Hip Hop PDF Print E-mail
Music - Music News
Written by John James   
Tuesday, 03 April 2001 18:00
• This Tuesday the Blue Note label furthers its commitment to jazz-flavored hip hop with the new DJ Smash album Phonography: A Blue Note Mix. This fantastic new collaborative puts Smash Hunter in the chef’s seat, concocting a groovy streetwise cake in 14 intriguing slices.

 
Napster Survives Despite Rulings PDF Print E-mail
Music - Music News
Written by John James   
Tuesday, 27 March 2001 18:00
• As the record industry watches Napster weave and bob through another round of legal rulings, the bottom line is that once the file-sharing cat’s out of the bag, there’s no way to stuff the screeching, clawing beast back in.

 
Bootleggers Lose Again PDF Print E-mail
Music - Music News
Written by John James   
Tuesday, 20 March 2001 18:00
• The Black Crowes have announced that they will follow Pearl Jam in the spirit of making every concert from their upcoming summer tour available to fans. This beat-the-bootleggers-to the-punch attitude might prove to be the norm of the future as bands and plantation bosses try to wrestle artistic and commercial control of their art.

 
Kung Fu Records Debuts Film Series PDF Print E-mail
Music - Music News
Written by John James   
Tuesday, 13 March 2001 18:00
• Kung Fu Records has just released the first in its new independent feature-length film series, That Darn Punk, on home video. The movie is a truly homegrown project, recorded on film – not video – with a bare-bones budget of $20,000.

 
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