Music & Entertainment
Holiday Pops featuring Mark Wood goes on sale Monday PDF Print E-mail
News Releases - Music & Entertainment
Written by QCSO   
Wednesday, 03 October 2012 13:18

The Quad City Symphony Orchestra and Quad City Arts kick off the season on November 17 with an extravaganza featuring electric violinist Mark Wood, founding member of Trans-Siberian Orchestra and Quad City Arts Visiting Artist. Conductor Michael Gagliardo leads a cast of local talent like never before assembled, including the Quad City Symphony Orchestra; the Sanctuary Choir of First Presbyterian Church, Davenport; the Holiday Pops Children's Chorus; and for the first time ever, the Holiday Pops Youth Ochestra. The concert begins at 7:30 p.m. at the i wireless Center with the holiday favorites you've come to expect, mixed with many of Trans-Siberian Orchestra's greatest hits.


Tickets go on sale Monday, October 8, at the i wireless Center box office, by phone at 800.745.3000, or online at One dollar from every ticket will benefit the Genesis Music Therapy Programs.


Holiday Pops is sponsored by John Deere.


Quad City Symphony Orchestra Season opens with concertmaster premiere PDF Print E-mail
News Releases - Music & Entertainment
Written by QCSO   
Wednesday, 03 October 2012 13:16

For the Masterworks season premiere, Quad City Symphony Orchestra is putting on a blockbuster performance featuring Dvorak's Eighth Symphony, Wagner's Rienzi Overture, and new Concertmaster Naha Greenholtz performing Bruch's First Violin Concerto. These concerts will be performed on October 6 and 7, and are sponsored in memory of Isador and Judith Katz. Saturday evening's concert will be held at the Adler Theatre in Davenport at the new time of 7:30 p.m., and followed on Sunday afternoon at 2 p.m. at Centennial Hall in Rock Island. Tickets for this concert can be purchased in person at the QCSO Box Office, 327 Brady Street in Davenport, by phone at 800.745.3000, or online at

Canadian violinist Naha Greenholtz was born in Kyoto, Japan, where she began her studies on violin at the age of three. She made her solo debut at age 14 playing the Mendelssohn Violin Concerto with the Vancouver Symphony Orchestra, and was quickly reengaged for performances of concerti by Tchaikovsky and Mozart. In addition, she has been a featured soloist with the Burnaby Symphony, Kelowna Symphony Orchestra, National Repertory Orchestra (Breckenridge, CO) and Vancouver Youth Symphony Orchestra in works by Sarasate, Bruch, Tchaikovsky and Bach. Last season, as part of her Concertmaster candidacy, Ms. Greenholtz was guest Concertmaster for the QCSO's February Valentine's Day concert and the War Requiem. This performance will mark her first official performance with the QCSO since accepting the position of Concertmaster.

The Quad City Symphony Orchestra is excited to provide Inside the Music at the hip and historic Hotel Blackhawk. The lectures series will still be held on the Thursday previous to each Masterworks program at 5:30 p.m. Doors will open at 5 p.m. with free hors d'oeuvres and a cash bar available.

Music Director Mark Russell Smith will also be available at Kai Swanson's Concert Conversations, held in the concert hall an hour before each of the weekend's concerts. At Concert Conversations the audience members will be given a quick tour of highlights from the program they are about to experience. This look into the background of the concert's repertoire, sponsored by Rich James of Wells Fargo Advisors, is in its fifteenth year and has become an audience favorite.

After the Saturday night performance, the audience is invited to mingle with the musicians and Mark Russell Smith in the lobby of the Hotel Blackhawk at Afterglow. The evening includes free hors d'oeuvres and a cash bar. The October Afterglow is sponsored by The Planning Center in Moline.

Unitarian Universalist Congregation of the Quad Cities Movie Press Release PDF Print E-mail
News Releases - Music & Entertainment
Written by Unitarian Universalist Congregation of the Quad Cities   
Tuesday, 02 October 2012 08:06
The documentary King Corn will be shown free of charge Friday, October 5, at 6:30 pm at the Unitarian Universalist Congregation of the Quad Cities, 3707 Eastern Ave., Davenport.  It's part of a series of environmental films shown the first Friday of each month at the Congregation's building.  The film is described as follows:

King Corn is a feature documentary about two friends, one acre of corn, and the subsidized crop that drives our fast-food nation. In the film, Ian Cheney and Curt Ellis, best friends from college on the east coast, move to the heartland to learn where their food comes from. With the help of friendly neighbors, genetically modified seeds, and powerful herbicides, they plant and grow a bumper crop of America’s most-productive, most-subsidized grain on one acre of Iowa soil. But when they try to follow their pile of corn into the food system, what they find raises troubling questions about how we eat—and how we farm.

Adler Theatre Updates PDF Print E-mail
News Releases - Music & Entertainment
Written by Adler Theatre   
Monday, 01 October 2012 07:47
October 2 (3:00 PM & 7:30 PM)

This brassy, upbeat musical revue celebrates the music of Glenn Miller, Tommy Dorsey, The Andrews Sisters, Frank Sinatra and other idols of the 1940s.  In the Mood features the sensational thirteen-piece String of Pearls Big Band Orchestra, singers and high-flying swing dancers. find tickets (3:00PM) find tickets (7:30PM)
October 19 (6:30 PM)

The Fresh Beat Band, Nickelodeon's popular preschool music group and stars of the hit TV series of the same name, will perform live in concert.  Come sing and dance with the band - Kiki, Shout, Marina and Twist.  Songs performed will include the hits "Here We Go," "A Friend Like You," "Bananas," and "Just Like A Rockstar."         find tickets

Why Do We Pay To Watch Scary Movies? PDF Print E-mail
News Releases - Music & Entertainment
Written by Ginny Grimsley   
Monday, 01 October 2012 07:31
Creator of ‘Halloween’ Film Franchise Discusses Why We Love Horror

Irwin Yablans, creator of the “Halloween” films that forever changed the genre, says the answer’s easy.

“When done right, a horror movie evokes an involuntary response involving fear, excitement, repulsion and fascination,” says Yablans, (, author of the new memoir, The Man Who Created Halloween. In it, he details his rise as a successful independent producer, sales chief for Paramount Pictures and head of Orion Pictures. His masked creepster Michael Myers, who debuted in 1978, spawned a wave of iconic horror characters, and a new way to do business in Hollywood.

“Too many commentators focus on the cost of making a film, and how much the lead actors were paid,” he says. “But, from a producer’s point of view, the most important money question is: Is our movie worth the $10 ticket price?”

Yablans shares his views on why we love to be horrified:

• Universal appeal: Horror will always tantalize the masses because it touches a visceral emotional response within everyone – unlike other genres. Not everyone finds the same things funny, for example, but just about everyone finds the same things scary, he says. “Horror connects on that most fundamental level. A truly frightening boogieman, a likeable protagonist and sympathetic victims puts audiences right in the shoes of the characters being chased,” he says.

• The difference between horror and horrible, and fan loyalty: As a boy, Yablans grew up in a poor tenement in Williamsburg, Brooklyn, listening to radio shows that relied on “theater of the mind” narratives, which captured the imaginations of listeners. He used this approach with the Halloween film series. “Too many of today’s horror films rely on blood and guts to coax gross-out responses from audiences,” Yablans says. “ ‘Halloween’ was successful, in large part, because it played more on the mind, where fear lives.” Horror fans tend to give new movies the benefit of the doubt, and if the first one is good, then they’ll return for parts 2 and 3, he says.

• Cost-effective: Most of the greatest horror film franchises began with modest budgets, including “Night of the Living Dead,” $114,000; the first “Halloween,” $320,000; “The Blair Witch Project,” $35,000. Each of those movies were wildly successful, grossing millions. The “Friday the 13th” series, inspired from the success of “Halloween,” has earned a worldwide total of $465 million. “There have been many failures, but the genre is one of the best bets in the film industry,” he says.

• Great marketing: Yablans’ legendary horror series appropriated a children’s holiday, Halloween, and made it exciting for adults. “Everyone wants to be young again – at least sometimes,” he says. Other successful horror franchises – “Nightmare on Elm Street,” “Friday the 13th” and “Scary Movie” copied Yablans’ branded approach: recognizable titles, costumes or makeup and theme music.

About Irwin Yablans

Irwin Yablans is the executive producer and creator of the “Halloween” film series, which forever changed the horror genre and the old studio system. His new autobiography, “The Man Who Created Halloween,” details a true rags-to-riches tale of a boy who grew up in a roach-invested tenement in Brooklyn to become the man who transformed society’s view of a children’s holiday. Yablans’ influence in Hollywood includes setting the standard for a new breed of independent producers and filmmakers, the discovery of famed director John Carpenter and advocating for studio support of one of the most acclaimed films in history, Francis Ford Coppola’s “Apocalypse Now.”

<< Start < Prev 91 92 93 94 95 96 97 98 99 100 Next > End >>

Page 97 of 164