Music & Entertainment
Naha Greenholtz named Concertmaster of the Quad City Symphony Orchestra PDF Print E-mail
News Releases - Music & Entertainment
Written by Jared Johnson   
Friday, 08 June 2012 11:41
After a year-long search, the Quad City Symphony Orchestra is excited to announce Naha Greenholtz as their new Concertmaster. Ms. Greenholtz will be publicly introduced in the North Park Mall food court where she will say a few words and give a short performance. The press and the public are invited to witness this historic occasion.


Canadian violinist Naha Greenholtz was born in Kyoto, Japan, where she began her studies on violin at the age of three. She made her solo debut at age 14 playing the Mendelssohn Violin Concerto with the Vancouver Symphony Orchestra, and was quickly reengaged for performances of concerti by Tchaikovsky and Mozart. In addition, she has been a featured soloist with the Burnaby Symphony, Kelowna Symphony Orchestra, National Repertory Orchestra (Breckenridge, CO) and Vancouver Youth Symphony Orchestra in works by Sarasate, Bruch, Tchaikovsky and Bach. Upcoming solo engagements include concerto appearances with the Madison Symphony Orchestra.

A participant in many prominent music festivals, Ms. Greenholtz has been featured at venues such as Kneisel Hall Chamber Music Festival (Maine), the Taos School of Music (New Mexico), the Spoleto Festival dei Due Mondi (Italy), the Lucerne Festival (Switzerland), New York String Orchestra Seminar at Carnegie Hall, and the ENCORE School for Strings. Ms. Greenholtz has also had an active career as an orchestral musician, appointed Associate Concertmaster of the Louisiana Philharmonic Orchestra (formerly the New Orleans Symphony) at age 21. One year later, she joined the first violin section of the Milwaukee Symphony Orchestra. Since 2010, she has performed frequently with the Cleveland Orchestra both at Severance Hall and on tour domestically and abroad. In 2011, she was appointed Concertmaster of the Madison Symphony Orchestra. Other 2011-2012 highlights include performances as Concertmaster of the National Repertory Orchestra, and as guest Concertmaster of the Omaha Symphony Orchestra and Symphony Orchestra Augusta. She has also performed as guest Concertmaster of the Reno Philharmonic Orchestra. Last season, as part of her Concertmaster candidacy, Ms. Greenholtz was guest Concertmaster for the QCSO's February Valentine's Day concert and the War Requiem.

In 2010-2011, she was the sole participant in the prestigious Concertmaster Academy at the Cleveland Institute of Music, a mentoring fellowship with William Preucil, Concertmaster of the Cleveland Orchestra and former first violinist of the Cleveland Quartet. Ms. Greenholtz received her Bachelor of Music from The Juilliard School in 2007. While there, her primary teachers were Joel Smirnoff and Donald Weilerstein. She has studied chamber music with Joel Krosnick, Robert Mann, and Nicholas Mann. Other teachers have included Andrew Dawes, Judith Ingolfsson, Ilya Kaler, and Akira Nagai. She performs on a 1778 Antonio Gragnani violin (“Ex-Caressa”), and a Eugene Sartory bow.

In addition to performing as Concertmaster, Ms. Greenholtz will be soloing on this season's opening Masterworks concerts on October 6 at the Adler Theatre and October 7 in Centennial Hall, Augustana College. Subscription are for this year's Masterworks season are currently on sale at 563.322.QCSO (7276) or at www.qcsymphony.com.

 
2012 East Moline Music in the Park schedule PDF Print E-mail
News Releases - Music & Entertainment
Written by Tiffany McVietty   
Friday, 08 June 2012 11:31

 
Quad City Symphony Orchestra announces new Concertmaster PDF Print E-mail
News Releases - Music & Entertainment
Written by Jared Johnson   
Wednesday, 06 June 2012 13:37
After a year-long search, the Quad City Symphony Orchestra is excited to announce their new Concertmaster. The new Concertmaster will be publicly introduced in the NorthPark Mall food court where the Concertmaster will say a few words and give a short performance.

"We were all enamored of the talent and vision this candidate brought to the table during the audition," said Jeff vom Saal, Executive Director of the Quad City Symphony Orchestra. "We know our new Concertmaster will be a great artistic asset to the community as well as to our organization, and we wanted the Concertmaster's first performance to be a very public event."

The press and the public are invited to witness this historic occasion.

PRESS CONFERENCE DETAILS:
June 5, 2012, at 11:00 a.m.
NorthPark Mall food court
320 West Kimberly Road
Davenport, IA
Presentation to include brief introduction, opportunity for questions, and a performance by the new Concertmaster

 
DAYTROTTER POSTS 2000TH SESSION FEATURING GLEN CAMPBELL PDF Print E-mail
News Releases - Music & Entertainment
Written by Daytrotter   
Tuesday, 05 June 2012 14:13

This Friday, June 1st, Two-Thousand And Twelve, we here at Daytrotter -- on the muddy Mississippi River in Rock Island, Illinois -- are posting our 2000th Daytrotter session. Point your browser to www.daytrotter.com and come celebrate with us.

We pulled out the stops and are commemorating the milestone with the debut session from country legend Glen Campbell. The Rhinestone Cowboy performs three classic cuts and the heartbreaking lead track from his new and final studio album.

In a symbolic nod to the sheer volume of killer, one-of-a-kind live sessions that we've posted since the site launched in February 2006, our 2001st posting is from the great Delta Spirit -- their 5th!

In celebration of our 2000th Daytrotter session, we are offering $20 annual memberships to Daytrotter for the next 24 hours only.

Coming at you from The Horseshack in downtown Rock Island, IL, Daytrotter brings you 5 new sessions a day, every day -- 140 Daytrotter session songs each week.

These fine people, traveling through America’s heartland, take two hours out of their travels between shows to stop in for a session in downtown Rock Island, Ill. They use borrowed instruments, play with their touring mates, utilize an often unkempt toilet, eat some food and then cram back into their vans for the last half of the drive. What they leave behind is a pile of ashes, sometimes a forgotten stocking hat and four absolutely collectible songs – song as they are on that particular day, on that particular tour; dirty and alive

Recorded with minimal mic’ing, through discrete preamps and with some limiting, to the mixing console, they are printed to 1/4” analog tape running at 15 inches per second (usually BASF 468). There is no set formula or pattern to the recordings, and they are all live, no overdubs, straight to tape.

Here's to the next 2000 sessions and here's to the great artists we've worked and will someday work with!


 
POLYRHYTHMS VERY 1ST ARTIST RETURNS FOR THIRD SUNDAY # 66 PDF Print E-mail
News Releases - Music & Entertainment
Written by Nate Lawrence   
Tuesday, 05 June 2012 14:11
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June 17th, POLYRHYTHMS brings piano Great Willie Pickens; the same Willie Pickens who performed five years ago at the very first Third Sunday Jazz Workshop & Matinee event. A celebrated educator performer, Pickens returns to the Redstone Room, in the RME on the corner of 2nd & Main, Davenport, IA, to see where his jazz demystifying teachings have taken us 66 Third Sundays later. Third Sunday Jazz Events begin with a workshop at 3 pm and is followed by a matinee concert from 6 – 8 pm.

“As our inaugural performer, Mr. Pickens set the bar for artistry and teaching at the Third Sunday Jazz Workshop & Matinee series”, said Nate Lawrence of Polyrhythms.  “Generous in sharing the benefit of his experience, his counsel imprinted upon us the importance of providing top quality content and to not insult the kids by dumbing it down.  How could we go wrong?”

A piano powerhouse, WILLIE PICKENS began his career on Eddie Harris’ 1961 national hit record, Exodus, since then playing with James Moody, Roy Eldridge, Max Roach, Clark Terry, Louis Bellson, Elvin Jones, Joe Henderson, Quincy Jones, Bunky Green, Ira Sullivan, Wynton Marsalis, and so many more. But instead of joining the national and international jazz scene, Willie chose to make his home in Hyde Park, becoming a public school teacher, an active member of the Hyde Park Union Church, and a mentor to scores of upcoming musicians. Just passing his 81st birthday, Pickens is more in demand and playing better than ever. The Chicago Tribune’s Howard Reich writes that Willie’s intense dramatic performances result from his “large and complex chords, his great splashes of color and dissonance in the right hand and his barrelhouse octaves in the left.” Pickens is joined by Ron Wilson on bass and Manuel Lopez III on drums.

Pickens was born into a Milwaukee family that valued music. Willie’s mother, herself an amateur pianist, saw to it that Willie’s emerging talent was developed by encouraging his formal study of the instrument. His stepfather, an avid jazz fan and alto sax player, introduced him to the music of Art Tatum via the radio; as there were few jazz venues in Milwaukee.  Pickens also discovered the likes of Nat “King” Cole and Bud Powell—artists that would have a profound influence on his musical development.

In 1954, Pickens earned a teacher’s certificate from the Wisconsin Conservatory of Music in Milwaukee and went on to the University of Wisconsin at Milwaukee, in 1958, to receive his B.S. in Music Education.  Ultimately, Willie’s love of jazz would drive his musical career. Having “caught the bug” playing with saxophonist Bunky Green and pianist Billy Wallace, Pickens moved to Chicago as soon as he’d finished his degree. “Chicago was where the action was,” he says, and started his baptism by fire in the city many regarded as the hub of the jazz piano world.

Although Pickens met with moderate success as a young musician, he married and started a family in 1959 and quickly realized that “if you’ve got kids, you’ve got to be sure how much money is coming in every week.”  Since then, Willie has had distinguished dual careers as a performer and educator: he has served as band director for Lindblom and Wendell Phillips high schools and as Chair of the Department of Music at Phillips; he started Kenwood Academy’s first jazz band; he has also directed the City of Chicago’s All-City High School Band and taught at the American Conservatory of Music.  Today, he continues to teach piano part-time in the Northern Illinois University’s jazz program and serves in the Ravinia/Chicago Public School Jazz Mentors Program.

At 81, Pickens continues to be one of Chicago’s most in-demand pianists for visiting artists.  He has performed several times at the famed Chicago Jazz Festival, to rave reviews, and has been the featured pianist on impresario Joe Segal’s Jazz Cruises.  He has also performed with fellow pianist Marian McPartland, both in concert and on her well-loved NPR show, “Piano Jazz”.

Polyrhythms Third Sunday Jazz Matinee & Workshop Series at the RME’s Redstone Room is scheduled for, June 17th, and features an all-ages workshop at 3 pm, followed by the matinee performance from 6-8 pm.   Admission to the workshop session is Free for Kids, $5 for adults.  General admission for the 6 - 8 pm concert is $10 or $15 for reserved seating.  For ticket information, call Polyrhythms: 309 373-0790.  For more information, visit our website: www.polyrhythms.org.

Sunday June 17th, Doors open at 5:30 pm.  Come and experience great jazz with the legendary Willie Pickens Trio “live” at the Redstone Room.

Polyrhythms Third Sunday Jazz Series is made possible with major support of the Riverboat Development Authority, the Scott County Regional Authority, and the RME as well as the support of AT&T, the Doris & Victor Day Foundation, West Music, Davenport Clarion Hotel, KALA, IL Senator Mike Jacobs, Peeples Heating & Air Conditioning, the Austin Family Charitable Fund, Greatest Grains, Skylark Recording Studio and DJ Mixxin Mel.

 

 
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