Stage & Theatre
Luther College student Elisabeth Athas to perform in 'Cabaret' PDF Print E-mail
News Releases - Stage & Theatre
Written by Julie Shockey   
Tuesday, 19 November 2013 15:55

DECORAH, IA (11/19/2013)(readMedia)-- Elisabeth Athas of Blue Grass, Iowa, will perform as part of the ensemble in the Luther College Department for Visual and Performing Arts production of "Cabaret," an award winning 1966 musical based on the play "I Am a Camera."

Performances are at 7:30 p.m. Friday, Nov. 15; 9:30 p.m. Saturday, Nov. 16; 7:30 p.m. Thursday, Nov. 21; 7:30 p.m. Friday, Nov. 22; and 1:30 p.m. and 7:30 p.m. Saturday, Nov. 23.

Athas, the daughter of Mark and Vickie Athas of Blue Grass, is majoring in theatre and management at Luther. She is a 2011 graduate of Davenport West High School.

Tickets for the performance are $15 for adults and $5 for children 12 and under; available at the Luther Ticket Office, telephone (563) 387-1357 or This e-mail address is being protected from spambots. You need JavaScript enabled to view it , open Monday, Wednesday and Friday 9-10:30 a.m. and 11 a.m.-3 p.m.; Tuesday, 9 a.m.-3 p.m. and Thursdays 9 a.m.-7 p.m.

The Luther performance of "Cabaret" will be directed by Jane Hawley, professor of dance, and Bobby Vrtis, assistant professor of theatre.

Upon its premiere, "Cabaret" was nominated for 10 Tony Awards, winning seven of them, including "Best Musical," "Best Original Score" and "Best Choreography."

"Cabaret" takes place in the 1930's in Berlin as the Nazi party is growing stronger. The plot follows the arrival of a young, American writer named Cliff Bradshaw, who has come to Germany to work on his novel. When visiting the Kit Kat Klub, a seedy cabaret, he meets an English performer, Sally Bowles and the two soon find themselves living together.

Through misadventures in love, work and rapidly changing political landscape of Germany, Cliff and Sally find themselves with an unplanned pregnancy in their hands and watching the struggles of their German landlady and her Jewish suitor at the beginning of the Nazi era.

The story is narrated in part by the omniscient Emcee of the Kit Kat Klub, whose flamboyant and increasingly dark musical numbers serve as a metaphor for the madness and disarray descending upon the world around them.

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Iowa Supreme Court Requests for Further Review PDF Print E-mail
News Releases - Stage & Theatre
Written by Iowa Judicial Branch   
Monday, 18 November 2013 15:46

FURTHER REVIEW VOTING RESULTS

November 4, 2013

DENIED:

 

NUMBER

COUNTY

CASE NAME

 

 

11-1210

Dubuque

State v. Adams

11–1828

Washington

State v. Bean

12-0583

Lee (North)

Bowker v. City of Fort Madison

12-0688

Johnson

State v. Edwards

12-0690

Polk

Garcia v. State

12-0706

Polk

Jones v. State

12-0739

Polk

State v. Quang

12-0872

Buchanan

State v. Bathen

12–0877

Scott

State v. Meerdink

12–0956

Scott

State v. Welsh

12-1086

Polk

State v. Elliott

12-1174

Floyd

Raymond v. State

12-1256

Page

State v. White

12-1433

Black Hawk

State v. Redd

12-1435

Polk

State v. Jones

12-1496

Scott

Jackson v. State

12–1568

Franklin

Hawkeye Land v. Franklin Cnty. Wind

12-1617

Polk

State v. Colvin

12–1630

Scott

State v. Hameed

12-1659

Polk

Roaden v. State

12-1753

Polk

State v. Vesey

12-1777

Polk

Kramersmeier v. State

12–1826

Polk

Crouch v. State

12–1827

Polk

Birchansky v. Dep’t of Pub. Health

12–1832

Plymouth

Floyd Valley Grain v. CTB, Inc.

12-1856

Black Hawk

State v. Hansen

12-1879

Scott

State v. Thomas

12-1989

Polk

Handlos v. Intercreditor Cmte.

12-2045

Polk

In re Marriage of Penaluna

12–2191

Poweshiek

Caldwell v. Holiday Lake Owners

12-2203

Polk

Freedom Fin. v. Estate of Boesen

12-2245

Linn

State v. Lucas

12-2290

Shelby

Hansen Mueller v. Gau

12-2295

Fayette

Scheckel v. State

13-0017

Johnson

Prybil Family Investments v. Bd. of Adjustment

13-0063

Howard

Smith v. Smith

13-0287

Scott

Duque v. McDonnell

13-1086

Polk

In re G.E.

 

GRANTED:

 

 

NUMBER

COUNTY

CASE NAME

 

 

12–0022

Fayette

State v. Putnam

12–0596

Sac

Huck v. Trimark Physicians Group

12–1150

Plymouth

State v. Short

12–1377

Dallas

Allen v. Bd. of Review

12–1771

Humboldt

Smith v. State

 
Emma Simmons, Dionne Riley to appear in Central College theatre production of "Legacy of Light" PDF Print E-mail
News Releases - Stage & Theatre
Written by Chelsea Toppin   
Thursday, 14 November 2013 08:56

PELLA, (11/13/2013)(readMedia)-- Freshmen Emma Simmons, a native of Davenport, and Dionne Riley, a native of Bettendorf, will participate in Central College's theatre production of "Legacy of Light".

"Legacy of Light" is a time-traveling comedy, which intertwines the stories of two female physicists from different eras. The legacies of Emilie du Chatelet, an 18th-century French scientist, and Olivia Hasting Brown, an astronomer in Princeton, N.J., collide in this play about the search for self-discovery, love, motherhood and scientific immortality.

The production, directed by Ann Wilkinson, instructor of theatre, will run Nov. 20-23 at 7:30 p.m. in the Kruidenier Theatre at Central College. Cost for general admission is $6. Student and senior citizen tickets are $3, and admission is free with a Central ID. Tickets are available at the Maytag Information Booth, by calling 641-628-9000.

Central College is a residential liberal arts college dedicated to the education of 1,500 undergraduate students. Guided by its ecumenical Christian tradition, the college community engages in vigorous, free, open inquiry in pursuit of academic excellence. Founded in 1853, the college is affiliated with the Reformed Church in America and NCAA Division III athletics.

Central is a recognized leader in study abroad as a result of its international, residential programs. Central College is located in Pella, Iowa, a thriving community of 10,000 two minutes from the state's largest lake and 40 minutes southwest of Des Moines. Please visit the college website at www.central.edu.

 
Room-sized Glass Exhibit coming to Moline Art Gallery this week! PDF Print E-mail
News Releases - Stage & Theatre
Written by Mary McNeil   
Wednesday, 13 November 2013 09:22
Vernissage for Todd Leisek:

November 15th. 2014

Art Installation :
" We Are Ghosts"

Mixed media.
This art installation is a room-sized glass exhibit.

At The Phoenix.
1530 Fifth. Avenue.
Moline.
Friday. November 15th. 2013
6-9 p.m.

Free and open to all.

Artist's description: About the Installation:

" This large installation is a communication and an interaction between what my family’s identity, ethnicity and past has faced through the years.  Behind closed doors an individual hides their own identity and reality.  By breaking down these “doors” and “walls,” our identities can be slightly revealed and displaced by reflections of light upon the exhibition wall.  In this installation, I concentrate on drawing upon the simple concepts of the breakdown of these doorways and walls through looking through broken glass, doors and walls taken from dismantled homes.  This piece is the past as well as the present as it confronts some of the conflicts of tribal identity in the United States.  Four doorways will be presented in the act of breaking apart with only the shards of clear glass to bind them together and the holding together of the walls will display the reflection of a past identity of a mixed tribal past. The installation is a chance to speak without words through the materials and the photographs hidden in the cracks of the walls.  I am mixed of Potawatomi, Sac/Fox and Cherokee.  Since I am of mixed tribal generation, where do I fit in with the world or how does my family (ancestors) fit in?  We roam as “ghosts” blending in from one subculture to the next recreating ourselves over and over without stepping through to connect with our tribal roots or ancestral traditions.  There are thousands of us still roaming the United States displaced."

Artist Statement

My artwork (installations) is based from sensory experiences (sounds, sights, smells and dreams) from the memories of my childhood experiences and the stories of family members long past.  Throughout my experience as an artist; I have concentrated on these sparks of memory which are drawn from nature (landscape), dreams of my past, and the faded memories.  In creating these abstract sculptural pieces, I’m attempting to bring back these recollections into a form of narrative or conceptual scene into the public space.  By changing the landscape (public space), I draw the viewers into my art installations to bring their own sensory experiences into the artwork.   These sensory experiences are connected to the material I use in my artwork (Ceramics, Wood, and stain).  I hope that these pieces display the uncomfortable feeling of distance of Native American authenticity and the reconnection of my families lost mixed of Otoe and Osage/Pottawattamiepast.  It is important that my artwork does not relate directly to a “Native American” background, yet an element of these memories, love and loss which was influenced by my ancestors past.

To present a loose form of this narrative in my art installations is an important element to address in the conditions of the Post-Native American identity.  The traditions of the storyteller in my family today are dependent upon me to retell them in a modern relation of the struggles we face for a place (or voice) in this world.  We all have memories and past experiences which we cannot completely explain, yet subconsciously influence our lives.

About The Artist:  Todd Liesek.

I was born in Ogden, UT as Todd Woodmansee, yet grew up with a very collect a diverse step family in Lodi, CA.  My first studies in Fine Arts started in San Francisco where I spent the first 4 years at San Francisco State University for my BA, which was dual emphasize in Art History and Fine Arts.  I stayed for additional 3 years teaching for private art/music schools within the Bay Area, traveling around performing and producing artwork in California.  In 2003, I received an invitation to study at University of Wisconsin-Superior for a MA in Studio Art in sculpture and ceramics.  In addition, I had an opportunity to perform with the University Orchestra and Brazilian Guitar Ensemble to perform in Rio de Janiero, Brazil.  After my graduation from UWS in 2006 with a MA, I moved from the cold frigid North to the Quad Cities, IL.  For the past few years, I received an invitation for the MFA program at Vermont College Fine Arts in Contemporary theories and Art Installation which I recently graduated in 2013.

I have worked for private and public art/music schools and Higher Education at both the Community and State University levels for about 9 years and 3 years as an online instructor. I have taught art history/appreciation from 1300 to 21st Contemporary Art, Art Theory, Sculpture/Ceramics, music orchestration, and guitar performance.

 
Are We Underutilizing Our Most Precious National Resource – Our Founding Principles? PDF Print E-mail
News Releases - Stage & Theatre
Written by Ginny Grimsley   
Tuesday, 12 November 2013 15:55
3 Truths About Our Country that Support Freedom, Civil
Peace & Prosperity

In a recent CNN poll, 75 percent of respondents said U.S. House Republicans don’t deserve re-election. That could bode poorly for either party next year, when all 435 House seats are up for grabs.

That’s because it’s likely only a small group of Americans will decide our country’s future, says historian and researcher Merrilyn Richardson. Traditionally, only 40 percent of eligible voters turn out for mid-term elections on average, compared with 60 percent for presidential elections.

In the Senate, 33 seats could change, which could tip the balance of power for the subsequent six years.

“Voting is just one of the many privileges too many citizens of the United States take for granted,’’ says Richardson, a former editor of Air Force Bases newspapers and author of “You ARE God: The Challenge to Achieve Christ Consciousness in the Modern Era,” (www.merrilynrichardson.com). “Many do not believe the rights they have enjoyed their entire lives can be taken away from them, but they are wrong.”

It takes actively involved citizens to protect our fragile democracy, Richardson says. The American origin story and its legacy are not only unique to our globe, they’re nothing short of miracles and we need to advocate for what we enjoy.

She reviews three inspiring founding U.S. principles.

• The American Revolution has outlasted competing ideologies. Since 1776, many other revolutions have come and gone. That includes the Russian Revolution, which has all but disappeared and left a country with an identity crisis. The Chinese Revolution, which has morphed into something unrecognizable from its original ideology, and the Cuban Revolution, which has proven to be an unsustainable economic burden for its people. Rather than attempt to force an entire country to conform to an unrealistic ideology, the U.S. founding fathers proposed a Bill of Rights that continues to shape the history of the world.

• Individuality, free speech, the right to bear arms and religion are all protected. Enlightened, Western nations have to pay taxes to support religious institutions of which many citizens are not participants; in England it’s the Church of England, in Germany it’s the Catholic Church. The United States does not make anyone support any church – we can worship and financially support what we choose. This emphasis on individual rights often provides more momentum to our social movements, such as the Tea Party or Occupy Wall Street, because people can choose what they support.

• As our constitutionally guaranteed freedoms protect us, it’s our duty as stewards of the Constitution to protect freedom. When people say nasty things, it’s tempting for some groups to call for the censorship of one’s speech. When someone does something barbaric with a gun, even more people call for severe limitations on one’s right to bear arms. If living in a free society were easy, more countries would be doing it. There are many countries throughout the world that are experimenting with a free society, including some in the Middle East and North Africa. Egypt, for example, is finding out just how difficult freedom is to maintain. While terrorist groups may seek to fell the system of governing we were fortunate enough to inherit, we also need to make sure domestic efforts to chip away our liberties are not successful.

About Merrilyn Richardson

Merrilyn Richardson received a degree in journalism from Texas Tech University and was editor of Air Force Bases newspapers. At 89, she has spent decades searching for truth and found that studying spiritual subjects provides a basis for understanding our human condition. Her latest book, “You ARE God: The Challenge to Achieve Christ Consciousness in the Modern Era,” is a concise glimpse of American history and other events that have affected individuals worldwide. She is a founding member of the Center for Spiritual Living in Midland, Texas. Her two previous books were “Initiation of the Master” and “The Master’s Quest, an End to Terrorism.”

 
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