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Spring in Their Steps: Ballet Quad Cities' "Spring Is in the Air" at the Adler Theatre PDF Print E-mail
News/Features - Dance
Written by Thom White   
Tuesday, 15 April 2014 06:00

Emily Long and Alec Roth in Spring Is in the AirThere were several moments during the evening performance of Spring Is in the Air – presented April 12 at the Adler Theatre – in which I sat slack-jawed in awe of the choreography executed by Ballet Quad Cities.

 
"Coffee" First, Tragedy After: Ballet Quad Cities' "Carmen," February 14 and 15 at the Scottish Rite Cathedral PDF Print E-mail
News/Features - Dance
Written by Thom White   
Tuesday, 18 February 2014 06:00

Patrick Green and Jill Schwartz in Ballet Quad Cities' CarmenAfter two years of Love Stories for its Valentine’s Day production, Ballet Quad Cities changed things up this year by presenting Carmen, the story of a commanding woman who does what she pleases with men she fleetingly fancies. As with Love Stories, though, there was more than one piece performed this past weekend, with choreographer Margaret Huling’s “Black Coffee” – a jaunty, jazzy number also featured in last year’s Love Stories: Love on the Run – making up the first portion of the evening’s entertainment.

 
That Galumpha Thing: Quad City Arts’ Latest Visiting Artists Present Dance, Acrobatics, and Human Architecture, January 25 at St. Ambrose University PDF Print E-mail
News/Features - Dance
Written by Mike Schulz   
Friday, 17 January 2014 06:00

When telling friends about particularly unusual and impressive stage performances, “You have to see it to believe it” is a commonly employed cliché. In the case of a stage performance by the East Coast talents of Galumpha, the latest guests in Quad City Arts’ Visiting Artists series, a more appropriate sentiment might be “You have to see it to understand it.” (And, also, to believe it.)

 
Fangtastic: Ballet Quad Cities' "Dracula" PDF Print E-mail
News/Features - Dance
Written by Thom White   
Monday, 14 October 2013 06:00

Domingo Rubio in 2012's DraculaDomingo Rubio left no doubt that his Count Dracula was in charge during Friday’s performance of Ballet Quad Cities’ Dracula at Moline's Scottish Rite Cathedral. (The production ended its two-night run on Saturday.) From his bat-like entrance – with the dancer slowly flapping his black cape from front to back as he made his way through the darkened auditorium – to his death, Rubio’s Dracula never seemed controlled by anyone, and that included choreographer Deanna Carter. Rubio gave the impression that his Dracula wasn’t moving because Carter gave him predetermined choreography, but because it was the way he wanted to move.

 
Glass (Ballet) Slippers: Ballet Quad Cities' "Cinderella" at the Adler Theatre PDF Print E-mail
News/Features - Dance
Written by Thom White   
Monday, 22 April 2013 06:00

Ballet Quad Cities' CinderellaThere were two particular elements that made Ballet Quad Cities’ Cinderella (which ran for two Adler Theatre performances on April 20) especially watchable beyond Courtney Lyon’s exquisite choreography: clear storytelling, and humor. Not at one moment during Saturday evening’s performance did I find it hard to figure out which part of the fairytale was being depicted in dance, even down to the details of what specific characters were doing and feeling at all times.

 
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