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items tagged with action movies

Are You Not Entertained?!: "Pompeii," "3 Days to Kill," and "Winter’s Tale"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-02-23 19:23:46

Adewale Akinnuoye-Agbaje and Kit Harington in PompeiiPOMPEII

About a half-hour into Paul W.S. Anderson’s Pompeii, the film’s protagonist – a gladiator-turned-slave amusingly named Milo – hears the unfamiliar sound of the nearby Mount Vesuvius preparing to erupt. “It is the mountain,” says Milo’s comrade Atticus. “It grumbles from time to time.” So do movie reviewers, and this latest 3D action spectacle by the director of Mortal Kombat, Death Race, and a trio of Resident Evil flicks would, at first glance, appear to be exactly the sort of thing I’d personally grumble about: a predictably corny, derivative, overscaled costume party with loads of generic violence and nothing in the way of subtlety or emotional nuance.

Yet while it’s easy to name the movie’s most direct influences, Gladiator and Titanic chief among them, what I didn’t at all expect was for this swords-and-sandals outing to be so thoroughly, cheerfully indebted to 1970s disaster epics in the vein of The Towering Inferno and The Poseidon Adventure; Pompeii, to its cheeky credit, is kind of like 1974’s Earthquake with the ancient Roman city cast in the role of Los Angeles.


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Let’s Remake a Deal: "RoboCop," "About Last Night," and "Endless Love"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-02-16 22:23:13

Joel Kinnaman and Gary Oldman in RoboCopROBOCOP, ABOUT LAST NIGHT, and ENDLESS LOVE

I caught a triple-feature this past weekend, and lemme tell ya, it made me feel like a teenager again. Specifically, it made me feel 19, my age when the original RoboCop debuted; 18, my age when the original About Last Night debuted; and 13, my age when the original Endless Love debuted. I don’t know what confluence of release strategies resulted in this trifecta of Reagan-era remakes, but I guess I should be grateful to Hollywood for the collective trip down memory lane. I’d be more grateful if the movies themselves were better, but ... .


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Plains Spoken: "Nebraska," "Gimme Shelter," and "I, Frankenstein"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-01-26 23:52:43

Will Forte and Bruce Dern in NebraskaNEBRASKA

After opening nationally (in larger markets) in November, Alexander Payne’s comic elegy Nebraska – nominated for six Oscars, including Best Picture and Director – finally hit Quad Cities cineplexes this past weekend. I actually saw the film in Chicagoland over the holidays, and ordinarily, when preparing to review a film I first viewed a month prior, I’d take in a second screening to reacquaint myself with the images, dialogue, and performances. But I didn’t with Payne’s latest. I took in a second screening just for the sheer pleasure of the experience. Memories of Nebraska’s marvelous images, dialogue, and performances, thank you very much, were still wonderfully fresh.


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Días de los Muertos: "Paranormal Activity: The Marked Ones" and "47 Ronin"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-01-05 20:14:04

Andrew Jacobs in Paranormal Activity: The Marked OnesPARANORMAL ACTIVITY: THE MARKED ONES

Do you recall how, in the first Paranormal Activity, Katie and Micah attempted to communicate with the malevolent spirit haunting their home through a Ouija board that, later, spontaneously burst into flames? So-o-o 2009. In the new Paranormal Activity: The Marked Ones – the fifth installment in this apparently unkillable scare-flick series – our teenage protagonists aren’t about to use anything as passé as a board game to connect with their unseen house guest. Not when they have access to ... Simon.


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Disney on Ice: "Frozen," "Black Nativity," and "Homefront"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-12-02 15:57:22

FrozenFROZEN

As its fans (and I’m one of them) will gladly attest, Disney’s Frozen is a bit of a throwback to the studio’s recent golden age of animated entertainments – that period from the late ’80s to the mid-’90s that found more-or-less traditional fairy and folk tales goosed with healthy portions of Broadway razzmatazz. (Those in the press championing this new work as a welcome and rather bold return to form, however, do seem to have conveniently forgotten about 2009’s excellent The Princess & the Frog and 2010’s near-excellent Tangled.) But while much of the film follows the standard Disney-in-its-prime formula to the letter – big-eyed ingénue heroine, check; wacky animal sidekick, check; rafter-shaking power ballad destined to win an Oscar, check – there is one aspect to Frozen that separates it from the Little Mermaid/Beauty & the Beast/Lion King herd: The movie is kind of bonkers.


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