items tagged with Adam Brody

SCREAM 4

Directed, as all of the franchise’s outings have been, by Wes Craven, and written by Kevin Williamson, Scream 4 is a sequel, a reboot, and a big middle finger to reboots, all in one bloody, meta, mostly tedious package. It opens beautifully and features a bunch of (mostly verbal) horror-comedy pleasures, yet its overall effect is wearying; Craven and Williamson are so focused on deconstructing the genre – the Scream series in particular – for a media-soaked, hipper-than-thou young audience that even its “surprises” are in quotation marks. Watching Scream 4 is like watching a movie with its commentary track running before you’ve had a chance to experience the film without it.

THE INFORMANT!

The film's madcap trailers -- to say nothing of the exclamation point in the title -- don't accurately capture the tone of Steven Soderbergh's The Informant! But I'll be damned if I know what kind of trailers would suggest the feel of this altogether remarkable corporate comedy, which starts off amusingly arch, becomes more funny and fascinating as it progresses, and winds up flat-out hysterical, with your laughter tempered by righteous anger, unanticipated pity, and stunned disbelief.

THE INVISIBLE

Funny story. I caught director David S. Goyer's The Invisible on Friday afternoon, and later that evening, watched a TV show I'd taped a couple of days prior but hadn't yet seen. During a commercial break, there was a preview for The Invisible. Amazingly, it was the first trailer for the film I'd landed upon, which gave me the unusual opportunity to judge a preview based on its movie, rather than the other way around. And now that I have seen the teaser for the film - a 15-second scare-flick pastiche of screams, slash-edits, and a threatening shriek of "You're dead!!!" - I feel compelled to ask: Did The Invisible's marketing wizards not see the movie, or did they indeed see it, not have a clue about how to market it, and purposely create the most misleading trailer imaginable?

THANK YOU FOR SMOKING

Jason Reitman’s Thank You for Smoking, adapted from Christopher Buckley’s satiric novel, doesn’t have much visual flair, but one recurring image in the film lends it worlds of variety: Aaron Eckhart’s smile.