items tagged with Adam Michael Lewis

For our third-annual conversation on the Year in Theatre, Thom White – the Reader’s chief theatre reviewer – and I thought we’d shake things up a bit. So instead of meeting for an hours-long breakfast to discuss the area stage scene, we met for an hours-long dinner to discuss the area stage scene.

And while I managed to keep things lively by spilling a completely full glass of water not 10 minutes after sitting down, we also managed to touch on many of the varied experiences that Thom (occasionally accompanied by his partner’s daughter Madison) and/or I had during another eventful year for fans of the theatre. Pack a lunch, sit back, and dive in ... .

The Clinton Area Showboat Theatre’s The 25th Annual Putnam County Spelling Bee is a delightfully entertaining musical comedy that I wouldn’t mind seeing over and over again, as Friday’s performance of director Tommy Iafrate’s production was funny, touching, and energetic, serving as an exceptional rendering of the musical’s charm, wit, humor, and high level of enjoyability.

There are rough edges to the Prenzie Players’ The Complete Works of William Shakespeare [abridged], due to a lack of polish and predetermined staging, that make it seem like you're watching the entertainment at a frat party. This, however, is much of what makes the Prenzies' production so much fun; its frenetic, improvisational feel heightens the entertainment value. With director Catie Osborn’s staging making it feel like we, the observers, were actually part of the production itself, Saturday’s performance was so raucous that patrons felt free to interact with the actors – such as by offering humorous back-talk – in ways audiences normally wouldn’t.

The Reader's chief theatre reviewer, Thom White, saw and wrote about 52 area stage productions in 2011. I saw 39 and reviewed 12. Obviously, during our second-annual breakfast chat on the Year in Theatre, there was a bit to talk about.

Director Tommy Iafrate beautifully bookends the Clinton Area Showboat Theatre's Evita with scenes in which the actors acknowledge, or the staging makes clear, that the cast is performing specifically for an audience.