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items tagged with Alec Baldwin

Now Is the Midwinter of Our Mild Discontent – Notes on a Quadruple Feature: "Devil's Due," "Jack Ryan: Shadow Recruit," "Ride Along," and "The Nut Job"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-01-19 00:08:27

Allison Miller in Devil's DueJanuary 17, 10:05 a.m.-ish: If it’s January, it must be time for our annual demonic-possession thriller in the guise of a “documentary,” and yet it still seems strange to be watching Devil’s Due. The devil may be, but a mere two weeks after the release of the latest Paranormal Activity, were we audiences really due for another of these things?


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Darling, I Love You, but Give Me Park Avenue: "Blue Jasmine," "The World’s End," and "You’re Next"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-08-25 23:41:52

Cate Blanchett in Blue JasmineBLUE JASMINE

Woody Allen’s new drama Blue Jasmine is modeled, both loosely and very specifically, on Tennessee Williams’ A Streetcar Named Desire, and if you’re familiar with that stage classic – or, really, with Williams’ oeuvre in general – you can correctly presume that the movie will not end on a note of cheer. Yet for the life of me, I couldn’t convince my face of that, because Cate Blanchett’s almost impossibly fine performance in the writer/director’s latest left me smiling so contentedly you would’ve thought the screening came with an open bar and complimentary full-body massage. Catching up with me on the way out of the auditorium, a friend, regarding Blanchett’s portrayal, said, “I think I’m gonna be high for a week.” I’m pretty sure I vocalized my agreement but was feeling too high to be certain.


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Ho Ho Horrible: "Rise of the Guardians," "Killing Them Softly," and "The Collection"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-12-03 13:45:05

Rise of the GuardiansRISE OF THE GUARDIANS

There appears to be a certain amount of bafflement, among those who track such things, as to why Rise of the Guardians has failed to make its expected dent on the late-autumn box office. Did the action comedy open too soon after the release of the similarly animated Wreck-It Ralph, thereby splintering its audience? Was the casting of Santa Claus, the Easter Bunny, and the Tooth Fairy as makeshift superheroes an idea deemed too juvenile for viewers over the age of three? Was the film’s title generic and confusing, leading potential crowds to expect the arrival of the owls of Ga’Hoole?

If I may, I’d like to posit a different, simpler theory: The movie just sucks.


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Viva Italia!: "To Rome with Love," "Savages," and "Katy Perry: Part of Me"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-07-09 17:50:33

Ellen Page and Jesse Eisenberg in To Rome with LoveTO ROME WITH LOVE

After Woody Allen’s rather staggering success with Midnight in Paris – personal-best box-office, the man’s first Academy Award in 25 years – I guess it was inevitable that critics, as a whole, would greet the filmmaker’s follow-up project with a collective “meh.” And that’s certainly happened with Woody’s new To Rome with Love. (Not that it matters, but the comedy is currently sitting with a “45-percent fresh” rating – i.e., “not fresh at all” – at the review aggregator RottenTomatoes.com.)

But I’d argue that the movie’s less generous critics have picked entirely the wrong picture to be indifferent toward, because the To Rome with Love that I saw was sensational – charming, hilarious, imaginative, and, in its offhanded way, enormously adventurous. As Woody’s latest is composed of a quartet of frothy comic vignettes set in the Eternal City, all of them reminiscent of the short fictions he occasionally writes for The New Yorker, it’s easy to see how the film is being perceived as slight. Yet that description, while somewhat accurate, doesn’t begin to suggest the masterly finesse and intelligence that Woody and his tremendous cast demonstrate here. If Midnight in Paris remains the writer/director’s finest achievement of the past two decades, To Rome with Love easily lands in the top five, and with more than 20 releases to choose from, that’s hardly something to sniff at.


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Father No-Nos Best: "That's My Boy" and "Rock of Ages"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-06-17 18:49:36

Andy Samberg and Adam Sandler in That's My BoyTHAT’S MY BOY

Lord knows I don’t want to encourage him, but if Adam Sandler absolutely must continue to star in comedies released under his Happy Madison Productions banner, could the rest of them at least have the good sense, and bad taste, to be rated R?


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