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items tagged with Amanda Peet

"Something" Gives Audiences One of the Year’s Most Entertaining Movies: "Something's Gotta Give," "Honey," and "Thirteen"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-12-17 00:00:00

Diane Keaton and Jack Nicholson in Something's Gotta GiveSOMETHING'S GOTTA GIVE

In Something's Gotta Give, a sixtysomething womanizer, currently dating a twentysomething auctioneer (!), finds himself, for the first time ever, falling in love with a woman roughly his age, and – wouldn’t ya know it? – it’s his girlfriend’s mother! Has there ever been so High a Concept? A forced, jokey premise like this is usually enough to make me hide under my theater seat; it’s a situation so nakedly designed to provide good-natured chuckles and muffled sobs that a hardened cynic like me walks into the movie with all defenses immediately up.


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"Identity" and "Confidence" Flawed but Enjoyable: Also, "City of God," "Bulletproof Monk," and "Malibu's Most Wanted"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-04-30 00:00:00

John Hawkes, Ray Liotta, Amanda Peet, and John Cusack in IdentityIDENTITY and CONFIDENCE

By some bizarre coincidence, this past weekend saw the arrival of two new films, Identity and Confidence, that share an almost frightening number of similarities.


Read More About "Identity" And "Confidence" Flawed But Enjoyable: Also, "City Of God," "Bulletproof Monk," And "Malibu's Most Wanted"...


"Punch-Drunk Love" Is a Sandler Movie for Nobody: Also, "Tuck Everlasting," "Full Frontal," and "Igby Goes Down"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-10-30 00:00:00

Emily Watson and Adam Sandler in Punch-Drunk LovePUNCH-DRUNK LOVE

Punch-Drunk Love is exactly what its writer-director, Paul Thomas Anderson, claims it to be – “an art-house Adam Sandler movie” – yet I can’t be alone in thinking: What’s the point of that? Is Anderson merely trying to show up the hacks who’ve directed Sandler in other films? (Again: What’s the point?) All throughout, the movie is beautifully filmed, exquisitely composed, and filled with Anderson’s uncanny knack for stretching a scene out longer than it should humanly run and making you hang on every delirious second of it.


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Two Springtime Gems – and a Serious Dog: "Frailty," "Changing Lanes," and "The Sweetest Thing"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-04-17 00:00:00

Bill Paxton in FrailtyFRAILTY

Until it flirts with supernatural looniness in its last reel, Bill Paxton’s directorial debut Frailty is a strong, scary, deeply affecting piece of work – so good, in fact, that it easily ranks, thus far, as 2002’s finest film achievement.


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Two Stupid Movies Don’t Spell "Trouble": "High Crimes" and "Big Trouble"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-04-10 00:00:00

Morgan Freeman and Ashley Judd in High CrimesHIGH CRIMES

If Hollywood studios absolutely insist on feeding us one piece-of-crap potboiler after another, they could certainly do worse than the trashily entertaining military thriller High Crimes.


Read More About Two Stupid Movies Don’T Spell "Trouble": "High Crimes" And "Big Trouble"...





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