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items tagged with Amanda Wales

No Taxation Without (Satiric) Representation: “The Acharnians,” at Lincoln Park through August 4
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-07-29 12:00:00

Calvin Vo and Bryan Woods in The AcharniansThis year’s end-of-season Greek comedy by Genesius Guild, The Acharnians, is high on political humor, musical numbers, and sharply funny barbs at the expense of local organizations – especially Genesis Health System and Trinity Regional Health System (now UnityPoint Health) – and the cities of Moline, Davenport, and Rock Island. And I was smiling from ear to ear during almost the entirety of Saturday’s performance, tickled by the clever jokes, amusing songs, and even the groan-worthy puns.


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Rib It! Rib It!: "The Frogs," at Lincoln Park through August 5
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2012-07-30 12:00:00

Anna Tunnicliff, Neil Friberg, Bryan Woods, and Torey Baxa in The FrogsSince first experiencing one of Genesius Guild's end-of-season comedies two summers ago, I’ve eagerly anticipated playwright/director Don Wooten’s witty work each subsequent year. His sharp, humorous, sometimes biting rewrites of Aristophanes comedies abound with political, pop-culture, and theatre references at the local and national levels. And while I’ve not had the honor of being personally referenced in one of his jokes – at least not while I was present – this year’s The Frogs features hilariously pointed jabs at almost every theatre company in the Quad Cities area, with Saturday’s performance the funniest of the three annual Guild spoofs I’ve yet seen.


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Out of the Frying Pan, Into the Friar: "Measure for Measure," at Lincoln Park through July 1
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2012-06-25 12:00:00

Amanda Wales, Michael King, and Andy Curtiss in Measure for MeasureThree hours goes by quite quickly during Genesius Guild’s well-paced, oftentimes hilarious production of William Shakespeare’s Measure for Measure. While the piece is considered a “problem play,” as the script defies the expectations of a traditional comedy, director Jeff Coussens highlights the work’s ample amounts of humor, particularly in the production's first half. And with Coussens and his cast punching up every punchline through inflection and a sort of “nudge-nudge, wink-wink” attitude, I ended up laughing harder at Saturday's presentation, I believe, than I’ve ever laughed while watching a Shakespeare performance.


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