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items tagged with Amy Adams

Cult of Personality: "The Master"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-09-24 03:32:16

Joaquin Phoenix and Philip Seymour Hoffman in The MasterTHE MASTER

Some 40 minutes into The Master – Paul Thomas Anderson’s fascinating, vexing drama about the leader of a questionable self-actualization movement and the man’s devoted acolyte – there’s a scene between stars Joaquin Phoenix and Philip Seymour Hoffman so thunderously well-written and -performed that, for movie lovers, it might singlehandedly make viewing the film less recommended than mandatory.


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“Stee-e-e-erike!”: "Trouble with the Curve," "End of Watch," and "Beasts of the Southern Wild"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-09-24 03:27:30

Amy Adams and Clint Eastwood in Trouble with the CurveTROUBLE WITH THE CURVE

The latest movie to star Clint Eastwood, marking the icon’s first on-screen appearance since 2008’s Gran Torino, is director Robert Lorenz’s baseball drama Trouble with the Curve. That curve, by the way, is the least of this film’s troubles.


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Play the Music! Light the Lights!: "The Muppets" and "Hugo"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-11-28 14:22:42

Amy Adams, Jason Segel, and The MuppetsTHE MUPPETS

I adored nearly every minute of the big-screen reunion The Muppets, the musical-comedy brainchild of screenwriters Jason Segel (who also co-stars) and Nicholas Stoller. But before commencing with the rave, I should probably offer a caveat, because I can barely imagine the conditions under which I wouldn’t have adored this movie.


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En Pointe, on Edge: "Black Swan" and "The Fighter"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-12-20 00:02:21

Natalie Portman in Black SwanBLACK SWAN

In director Darren Aronofsky’s Black Swan, the first words we hear are uttered by professional ballet dancer Nina Sayers (Natalie Portman), who tells her mother, “I had the craziest dream last night.” And for the next 105 minutes, the movie unfurls like a crazy dream itself – a crazy, fascinating, terrifying, exhilarating dream that you have no desire to wake from. You can label the film a psychological drama, or a hallucinogenic thriller, or an art-house horror flick, and each would be appropriate. But none of those tags really hints at how much delectable fun Black Swan is. As with a dream that you want to return to the moment you wake up, you want to experience the intoxicating, rapturous weirdness of Aronofsky’s vision all over again the minute the end credits start to roll.


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Goner, Baby, Goner: "The Lovely Bones," "The Book of Eli," and "Bad Lieutenant: Port of Call New Orleans"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-01-18 12:00:00

Saoirse Ronan in The Lovely BonesTHE LOVELY BONES

The Lovely Bones, director Peter Jackson's long-awaited take on Alice Sebold's beloved novel, is a stupefyingly bad movie, the kind of big-screen debacle that makes you wonder if its entire creative team wasn't suffering through some hideous, collective blockage of talent all throughout filming. You can feel it going wrong in the first minutes, when a car's quick swerve results in an unconvincing and inappropriately comedic loss of a hubcap, but the shock of Jackson's endeavor is that practically nothing in it goes right. Tonally, just about every scene here feels a little bit off, and the rest feel way, way off; it's almost as if Jackson, screenwriting collaborators Fran Walsh and Philippa Boyens, and a (usually) wildly gifted cast purposely set out to make the absolute worst Lovely Bones adaptation possible.


Read More About Goner, Baby, Goner: "The Lovely Bones," "The Book Of Eli," And "Bad Lieutenant: Port Of Call New Orleans"...





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