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items tagged with Andrew Parker Greenwood

Holly-lujah!: "Buddy: The Buddy Holly Story," at the Timber Lake Playhouse through August 23
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2009-08-17 12:00:00

Chris Froseth in Buddy: The Buddy Holly StoryAs the title character in the Timber Lake Playhouse's Buddy: The Buddy Holly Story, Chris Froseth is a spectacularly confident dork. With his slender frame, curly mop of brown hair, and iconic horn-rimmed glasses, he nails the physicality to perfection, and his cascading drawl and thrilling rock vocals are oftentimes uncannily similar to Holly's. Yet what's even more impressive is how completely the actor seems to capture the singer/songwriter's gawky yet fantastically determined spirit.


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Notre Damn! An Extraordinary New "Hunchback": "The Hunchback of Notre Dame" at the Timber Lake Playhouse
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2005-08-03 00:00:00
The Hunchback of Notre Dame, currently being presented at the Timber Lake Playhouse, is a little bit Jesus Christ Superstar, a little bit Frank Wildhorn, and a whole lotta Les Miserables, but it has a narrative structure and momentum that’s all its own, and it’s continually surprising – I can’t recall the last time I felt so alert at the theatre. (It helps that this musical adaptation of Victor Hugo’s novel is unfamiliar to most of us, having been produced only once before – at the Drury Lane Oakbrook Theatre – in 1994, and having gone through extensive revision since then.)
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A Fully Satisfying "Monty": "The Full Monty" at the Timber Lake Playhouse
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2005-07-06 00:00:00
By the time the amateur male strippers perform their exuberant, baring-it-all finale in the Timber Lake Playhouse’s The Full Monty, it might take all your will to not leap from your seat and join them. The high spirits generated by this show are a little overwhelming; with the possible exception of the Clinton Area Showboat’s current production of Ruthless, The Full Monty is the best time I’ve had at the theatre in two months. It’s joyous, technically dexterous, thrillingly performed, and, best of all, absolutely fearless. (You’re aware of this by the end of the overture, when a bare-assed stripper, hounded by female groupies, races across the stage.)
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