items tagged with Andy Koski

In the loveliest segment of the one-act monologue Going Back Naked - the first half of New Ground Theatre's Going Back Naked: Two Plays by Local Playwrights - author Melissa McBain, portraying herself, reads from her late mother's 70-year-old love letters, and lands on a passage wherein her Mom refers to the children she hopes to one day have with her young paramour. Marveling that she was being thought of a full decade before she was actually born, McBain takes a beat and smiles, and addresses her absent mother in tones of longing and wonder: "You imagined me."

The Harrison Hilltop Theatre's opening-night production of True West, Sam Shepard's savage sibling-rivalry comedy, was an almost ridiculous amount of fun. Yet I'm hesitant about describing how much fun it was, because it's doubtful - if not impossible - that subsequent audiences will be witness to the astounding, downright magical blend of accident and inventive improvisation that accompanied Thursday's presentation. Unless, that is, actor Andrew Harvey is again able to pull off that bit with the spoon. And actor Eddie Staver III is again able to make the slice of bread stick to the wall. And the cuckoo clock is repaired.

Five Extraordinary Ensembles

An actor friend of mine says he always wants to be the worst performer in everything he's in, because if the rest of the cast is doing stronger work than he is, that means the show is in really, really good shape. With that in mind, any actor worth his or her salt would be thrilled to be the worst performer among these five ensembles.

After six seasons of reverse-gender casting, anachronistic details, audience interaction, and unapologetic tweaking and trimming of classical works, the happily untraditional Prenzie Players have, with their production of Shakespeare's The Merchant of Venice, moved in a truly subversive direction: They've gone traditional. Sort of.

I didn't think there was much wrong with Sunday night's presentation of Genesius Guild's Romeo & Juliet, aside from the fact that I didn't feel much of anything at it. But in terms of this particular Shakespeare play, isn't that a pretty sizable issue?