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items tagged with Anna Paquin

Lee’s Latest Should Not Be Missed: "25th Hour," "A Man Apart," "Dysfunktional Family," and "Anger Management"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-04-16 00:00:00

Barry Pepper, Edward Norton, and Philip Seymour Hoffman in 25th Hour25TH HOUR

I wish my schedule had allowed me to catch Spike Lee’s 25th Hour sooner, as I would have happily spent the last two weeks extolling its merits to everyone I saw. (It ends its run at the Quad Cities Brew & View on April 17.) The film, wherein a convicted drug dealer (Edward Norton) spends his last free day in New York tying up loose ends among family and friends, is probably Lee’s most passionate, exemplary work since 1989’s Do the Right Thing. Though the movie showcases Lee’s trademark anger, profane humor, and uncommon vibrancy, what sets the film apart from his usual fare is its sadness; it has an aura of melancholy that keeps the director’s more bombastic impulses in check. (He even pulls off a beauty of a lullaby ending, one which, in lesser lands, could have been disastrous.)


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Take the Ride to a New "Planet": "Planet of the Apes" and "America's Sweethearts"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-08-01 00:00:00

Tim Roth and Mark Wahlberg in Planet of the ApesPLANET OF THE APES

My guess is that Tim Burton’s “re-imagining” of Planet of the Apes will meet the same fate as 1999’s The Blair Witch Project and last year’s X-Men: It’ll stand as the most misunderstood, and least appreciated, blockbuster of the summer.


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Enjoyable Junk Triumphs over Dull Intelligence: "Thirteen Days" and "Finding Forrester"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-01-17 00:00:00

Steven Culp, Kevin Costner, and Bruce Greenwood in Thirteen DaysTHIRTEEN DAYS

Just because a movie is smart doesn’t mean it’ll avoid dullness. Roger Donaldson’s Thirteen Days, which documents the terrifying two weeks of the Cuban Missile Crisis, is evidence of this, a well-scripted, well-acted drama that might still cause you to doze off.
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An Empty Sleeve: "Almost Famous"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-09-29 00:00:00

Almost FamousALMOST FAMOUS

Almost Famous, writer-director Cameron Crowe’s semi-autobiographical hymn to the joys and heartbreaks of rock ’n’ roll, is filled with extraordinarily lovely details and an uncanny fondness for the film’s 1970s setting. It’s engaging, gorgeously lit, and filled with goodwill. The things it’s not are believable, challenging, or memorable. It has obviously been made with great love – Crowe spent years trying to turn his youthful experiences into a movie – and Crowe’s attention to the minutiae of the rock scene is heady and alluring. But Almost Famous ends up as far less than the sum of its parts, a movie so intoxicated by its period that elements like character and conflict barely exist; despite its look and the rave reviews being showered on it, the film itself feels empty.


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Freaks and Geeks: "X-Men," "Disney's The Kid," and "Scary Movie"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-07-25 00:00:00

Hugh Jackman in X-MenX-MEN

Movie reviewers kill me sometimes. The same critics who raved about the "kinetic thrill-ride" that was the senseless Mission: Impossible 2 and who called the ridiculous The Patriot "passionate and engrossing" are now turning up their noses at Bryan Singer’s X-Men adaptation. According to most news sources, the movie is portentous, under-plotted, filled with too many characters (or, for X-Men fans, too few), and serves as nothing but the setup film for an obvious franchise.


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