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items tagged with Anna Tunnicliff

And a Little Child Shall Mislead Them: "The Children's Hour," at the Playcrafters Barn Theatre through May 17
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2009-05-11 12:00:00

Anna Tunnicliff, Jamie Em Johnson, and Andrea Braddy in The Children's HourOriginally produced in 1934, Lillian Hellman's The Children's Hour - the current presentation at the Playcrafters Barn Theatre - concerns a monstrous little boarding-school brat who falsely accuses her headmistresses of engaging in a lesbian affair, a charge that leads to parental panic, financial ruin, and the destruction of several lives. In an era that finds the Iowa Supreme Court legalizing same-sex marriage, Hellman's melodrama now seems more like a museum piece than it would have even two months ago, and so it was wise of director Patti Flaherty to set her production firmly in the past - even though that past feels less like the 20th Century than 400 BC.


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Greece Is the Word: "The Clouds," at Lincoln Park through August 10
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2008-08-06 08:00:31

Pat Flaherty and David Wooten in The Clouds Genesius Guild's season-ender opens with a visual gag so wonderfully surprising that I wouldn't dream of describing it, and closes with a slapstick chase so wonderfully goofy that I couldn't describe it if I wanted to.


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Mourning Becomes Her: "Electra," at Lincoln Park through July 13
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2008-07-09 08:32:51

Andrea Braddy (masked) and ensemble members in Electra As the organization's annual Greek dramas always do, Genesius Guild's presentation of Electra begins with a processional. During this preamble, the cast members, accompanied by a majestic anthem, slowly make their way across the Lincoln Park stage, and those who'll be wearing the traditional headpieces of the period carry them at waist level, giving us an early peek at Ellen Dixon's costumes, Earl Strupp's masks, and, for the last time before the curtain call, the performers' faces. (Only the play's choral figures remain unmasked throughout the production.) It's a lovely touch, as reassuringly familiar as Genesius Guild's nightly T-shirt giveaway and the shrieking from the children playing on the neighboring swing sets.


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