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items tagged with Anne Hathaway

Magic / Mike: Schulz’s 10(-Plus) Most Enjoyable Movies of 2012
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2013-01-07 16:15:13

It’s incomplete, with such 2012 releases as Zero Dark Thirty, Amour, Rust & Bone, Arbitrage, The Intouchables, Not Fade Away, and Here Comes the Boom (ha ha!) still requiring my viewing. And it’s certainly eclectic, as even I can’t fathom a double feature of titles number one and two below. But in an all-around outstanding year for movies, the following ranking of 10 selections – with a bonus inclusion – is, as of January 6, my list of the absolute best times I had as a film fanatic this past year.


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Vox Populi: "Les Misérables" and "Cirque du Soleil: Worlds Away"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-12-31 14:19:38

Isabelle Allen and Hugh Jackman in Les MiserablesLES MISÉRABLES

Director Tom Hooper’s take on the über-beloved musical Les Misérables is, in numerous regards, a maddeningly weak stage-to-screen transfer. Scenes have been bluntly presented with no discernible invention or style. The incessant employment of closeups creates stagnancy in sequences and numbers that beg for breathing room. The movie’s two most prominent actors are cast in roles for which they can’t nearly do vocal justice. And, so help me, I ravenously gobbled up every last, unsubtle, frequently disappointing morsel of the thing.


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Scraped Crusader: "The Dark Knight Rises" and "Red Stroke"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-07-21 18:03:17

Tom Hardy and Christian Bale in The Dark Knight RisesTHE DARK KNIGHT RISES

The Dark Knight Rises, as you’ve perhaps heard, is the concluding chapter in Christopher Nolan’s series of grandly scaled, intensely serious-minded Batman adventures that began with 2005’s fittingly titled Batman Begins and continued with 2008’s The Dark Knight. It is also, as you perhaps hoped, a terrifically satisfying wrap-up to the trilogy – flawed, at times distractingly flawed, but powerful and resonant and deeply emotional. After my lukewarm responses to The Avengers and The Amazing Spider-Man, I would’ve been relieved to exit this summer’s latest superhero blockbuster merely content. Instead, I left Nolan’s 165-minute comic-book epic simultaneously jazzed and sated, and more than ready to see it again.


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Chum Change: “One Day” and “Fright Night”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-08-20 18:35:35

Jim Sturgess and Anne Hathaway in One DayONE DAY

When Emma (Anne Hathaway) and Dexter (Jim Sturgess) first meet in director Lone Scherfig’s One Day, it’s the morning after their 1988 university graduation, and a few minutes before the happily drunken pair tumbles into Emma’s bed. They don’t wind up consummating their flirtation, but the young Brits – and best-friends-to-be – seem perfectly content to smile and snuggle while the sun rises, and Emma makes the observation that the new day, July 15, is the English near-holiday of St. Swithin’s Day. Or, as Scherfig’s comedy/drama/romance might cause me to think of it from now on, St. “Well, Isn’t That an Astounding Coincidence?” Day.


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Cirque du Soulful: "Water for Elephants," "Tyler Perry's Madea's Big Happy Family," "Rio," and "African Cats"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-04-24 04:27:54

Robert Pattinson in Water for ElephantsWATER FOR ELEPHANTS

After his where’s-my-paycheck? turn in The Green Hornet, I was mildly concerned that, following his Oscar-winning Inglourious Basterds portrayal, Christoph Waltz might be resigned to a career of forever playing Euro-trashy über-villains in Hollywood action dreck. With director Francis Lawrence’s Water for Elephants, though – a Depression-era romance based on Sara Gruen’s beloved novel – my fears have proved unfounded. As the egomaniacal, possibly sociopathic owner and ringleader of a second-tier traveling circus, enraged by the blossoming affections between his star-performer wife (Reese Witherspoon) and the troupe’s young veterinarian (Robert Pattinson), Waltz is every bit as mesmerizing – charming, unpredictable, terrifying – as he was in Quentin Tarantino’s World War II opus. Yet fantastic though he is, Waltz’s talents here aren’t a shock. The bigger surprise is that the movie itself is so bloody marvelous.


Read More About Cirque Du Soulful: "Water For Elephants," "Tyler Perry's Madea's Big Happy Family," "Rio," And "African Cats"...





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