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items tagged with Antoinette Holman

Udder-ly Charming: "Click, Clack, Moo: Cows That Type," at the Circa '21 Dinner Playhouse through July 27
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-07-01 12:00:00

Chris Causer, Megan Opalinski, Antoinette Holman, and Andrea Moore in Click, Clack, Moo: Cows That TypeCostume designer Gregory Hiatt’s creations for the Circa '21 Dinner Playhouse's family musical Click, Clack, Moo: Cows That Type were, for me, the highlights of Saturday morning’s performance.


Read More About Udder-Ly Charming: "Click, Clack, Moo: Cows That Type," At The Circa '21 Dinner Playhouse Through July 27...


Sister Aloysius Beauvier Explains It All for You: "Doubt," at the District Theatre through June 16
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-06-10 12:00:00

Anoinette Holman and Susan Perrin-Sallak in DoubtThe District Theatre’s Doubt may be the most exceptionally performed, strongly directed production I’ve yet seen in the Quad Cities. Saturday night’s flawless performance left me in awe, particularly for the production’s perfect casting, and for how well director James Fairchild highlights playwright John Patrick Shanley’s humor.


Read More About Sister Aloysius Beauvier Explains It All For You: "Doubt," At The District Theatre Through June 16...


Turning Children's Theatre Into Ar-r-r-rt: "How I Became a Pirate," at the Circa '21 Dinner Playhouse through May 11
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-04-15 12:03:00

Chris Causer, Brad Hauskins, Janos Horvath, Sarah Hayes, Nikki Savitt, and Antoinette Holman in How I Became a PirateWhile I’ve loved every children’s production I’ve reviewed at the Circa '21 Dinner Playhouse, How I Became a Pirate marks the first in which I wish I had the soundtrack to enjoy with my partner’s nine-year old daughter Madison on our way to and from school each day. With music and lyrics by Janet Yates Vogt and Mark Friedman (both of whom also wrote the musical’s book), the songs are worth revisiting for their singable melodies and enjoyable styles, particularly the calypso numbers and a speedy, staccato, complexly rhymed nod to Gilbert & Sullivan’s “I Am the Very Model of a Modern Major-General.” After Saturday's performance of the show, in fact, Madison and I were singing lyrics from several of the songs on our car ride home, which I hope suggests how fun and memorable they are.


Read More About Turning Children's Theatre Into Ar-R-R-Rt: "How I Became A Pirate," At The Circa '21 Dinner Playhouse Through May 11...


Berger's Joint: "Hair," at the District Theatre through April 28
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-04-15 12:02:00

Chris Causer and Bryan Tank in HairUnder no circumstances would I publicly suggest that you indulge in mind-altering substances before seeing the District Theatre’s Hair. I would, however, recommend that you ask for a hit of whatever actor Chris Causer is high on – even if it’s just the exhilaration of performing – because, clearly, its side effects include having, and giving, the time of your life.


Read More About Berger's Joint: "Hair," At The District Theatre Through April 28...


It’s Not Easy Being Teen: "bare," at the Center for Living Arts through February 16
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-02-11 15:35:26

Becca Meumann and Doug Johnson in barePassion counts for a lot in drama, and sincerity counts for a lot plus, and both qualities are in welcome abundance in the Center for Living Arts’ presentation of the adolescent-angst musical bare. Another theatrical commitment kept me away during opening weekend, but if you haven’t yet caught up with the show, I heartily recommend taking advantage of its three-weekend run; you could conceivably ask for a stronger production, but only a complete boor would dare ask for a more heartfelt one, or one that exuded more enthusiasm and feeling from its clearly, beautifully invested participants.


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