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items tagged with Argo

Gold Men Sunset: Notes on the 2013 Academy Awards Telecast
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2013-02-25 20:33:40

Best Actor Daniel Day-LewisSeth MacFarlane, I thought, did a fine job hosting the 85th Academy Awards ceremony. He turned out to be a fine choice for the frequently thankless Oscar-emcee position, tossing in some fine jokes in between the generally fine production numbers and mostly fine acceptance speeches ... .

I’m sorry, but I am alone in thinking that last night’s telecast, in the end, was just a little too “fine”?


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Oscar-a-a-aziness: Analyzing the Trickiest Categories (and They’re Big Ones) in the 2013 Academy Awards Race
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2013-02-13 12:00:00

Don’t tell anyone. But usually, when it comes to predicting the winners of the Academy Awards’ major races, it doesn’t take much to look like you know what you’re talking about.


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Magic / Mike: Schulz’s 10(-Plus) Most Enjoyable Movies of 2012
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2013-01-07 16:15:13

It’s incomplete, with such 2012 releases as Zero Dark Thirty, Amour, Rust & Bone, Arbitrage, The Intouchables, Not Fade Away, and Here Comes the Boom (ha ha!) still requiring my viewing. And it’s certainly eclectic, as even I can’t fathom a double feature of titles number one and two below. But in an all-around outstanding year for movies, the following ranking of 10 selections – with a bonus inclusion – is, as of January 6, my list of the absolute best times I had as a film fanatic this past year.


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Rescue Mission Impossible: "Argo," "Seven Psychopaths," "The Perks of Being a Wallflower," and "Sinister"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-10-15 05:28:26

John Goodman, Alan Arkin, and Ben Affleck in ArgoARGO

It sounds like an all-too-Hollywood idea for a high-concept suspense thriller: A sextet of State Department employees are trapped in Iran, and their only hope for escape lies with an ingenious CIA official who plans to free the Americans by having them pose as a location-scouting team for a Canadian science-fiction movie. Yet within its first minutes, director/star Ben Affleck’s Argo – based on a recently declassified chapter of the Iranian hostage crisis of 1979-80 – registers as terrifically, nerve-rackingly authentic, even if the film’s most enjoyable elements are, in truth, as Hollywood as they come.


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