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items tagged with Art in Plain Sight

Art in Plain Sight: LeClaire Park Bandshell and Bix Sculpture
Written By: Jeff Ignatius
Section: Art

Category: Feature Stories

2013-08-23 11:29:38

Photo by Bruce Walters

Fifty years ago – on August 23, 1963 – approximately 2,000 people gathered at the LeClaire Park bandshell for a civil-rights rally that served as a warm-up for the national March on Washington. Twenty-eight local delegates who would participate in the historic march were introduced. They would hear Martin Luther King Jr. deliver his “I Have a Dream” speech in the nation’s capital five days later.

This was by no means the only rally at the bandshell. George W. Bush, for example, gave a campaign speech on its stage in 2004. Barack Obama spoke there three years later.

The bandshell has also served as center stage for numerous annual events –including the Mississippi Valley Blues Festival, River Roots Live, the Bix Beiderbecke Memorial Jazz Festival, and the Quad City Symphony Orchestra’s Riverfront Pops concert. Past performers on the stage include Greg Brown, Albert Collins, Blue Öyster Cult, Buddy Guy, Little Feat, Los Lobos, The Marshall Tucker Band, and – this past weekend – the Wallflowers.

The bandshell’s official name is the W.D. Petersen Memorial Music Pavilion. It was built in 1924 as a memorial to his daughter Wilma, who had died the previous year at the age of 38. Petersen paid for the pavilion’s construction himself.


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Art in Plain Sight: Two Entrances by Eric Mart
Written By: Jeff Ignatius
Section: Art

Category: Feature Stories

2013-07-26 11:25:49

Freight House Farmers Market Entrance by Eric Mart. Photo by Bruce Walters.

The entrance to the Freight House Farmers Market – at 421 West River Drive in downtown Davenport – is framed by a 15-foot-tall arched entry. The artist, Eric Mart, also created the gateway to his studio and the Sol-Iron Gallery at 620 West Third Street, just a few blocks away. Although both entires are made entirely of metal and are similar in size, one is welcoming while the other is intimidating. Their impact is shaped, in large part, by their settings and our associations with the objects used.

The brightly painted, freestanding entrance to the Freight House Farmers Market is flanked by a variety of flowering plants. It feels friendly and open. The handmade, cutout letters are playful. In this good-natured context, the tines of the pitchfork at the top of the arch seem to reach upward, almost like the rays of a rising sun. The vintage rotary hoes seem like pinwheels and flowers. Although the archway serves as a business sign, it is also a striking sculptural form.


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Art in Plain Sight: Two Sculptures in Downtown Moline
Written By: Jeff Ignatius
Section: Art

Category: Feature Stories

2013-06-20 13:23:58

'Spirit of Place.' Photo by Bruce Walters.

Downtown Moline’s industrial past is memorialized by two metal sculptures. One is abstract, the other representational. Both are reminders that the downtown riverfront was once crowded with factories and was at the heart of the “Farm Implement Capital of the World.”

Spirit of Place, an imposing 19-foot-tall sculpture, stands between the i wireless Center and the Radisson hotel on a lawn that stretches from River Drive to the riverfront. The iron sculpture consists of a massive wedge seemingly piercing a geometric form atop a conical base. Unless one reads the nearby plaque that states that John Deere’s first plow factory was built on the site in 1848, the artwork seem out-of-place in its pleasant surrounding.


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Art in Plain Sight: The Centennial Bridge
Written By: Jeff Ignatius
Section: Art

Category: Feature Stories

2013-05-07 18:02:23

The Centennial Bridge. Photo by Bruce Walters.

Connecting Davenport and Rock Island, the Centennial Bridge is one of the most beautiful architectural structures in the Quad Cities. Viewed in the daytime, it is a graceful example of modern design. At night, the lights on the bridge’s five arches transform it into the river’s showpiece.

The bridge was designed by Iowa native Edward Ashton (1903-1985). Its lack of ornamentation is consistent with modern design’s dictum that form follows function, yet Ashton stated that he built every bridge with an eye for the visible beauty of the structure. He designed more than 20 bridges – including the Julien Dubuque Bridge in Dubuque, Iowa – but considered the Centennial Bridge his best design.


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Art in Plain Sight: Bix 7 Plaza
Written By: Jeff Ignatius
Section: Art

Category: Feature Stories

2013-03-28 16:12:51

Photo by Bruce Walters

In celebration of the 25th anniversary of the Bix 7 race, a bronze statue of two runners was unveiled in 1999 at the corner of Fourth Street and River Drive in Davenport, in front of the Quad-City Times building. They are atop a five-foot pedestal and base on the eastern front of the Bix 7 Plaza, a circular garden with a walkway and honorary plaques that commemorates the participants and contributors to the annual race. The runners are Bill Rodgers, who won the seven-mile race twice, and Joan Benoit Samuelson, a four-time Bix 7 women’s champion. Both athletes represented the U.S. in the Olympics; Samuelson was the gold medalist in the first women’s marathon.

The life-size sculpture depicts the runners side-by-side, running nearly in tandem with a similar stride that conveys a sense of equity between the genders in sports. The figures are confident but not triumphant – not stretching their arms out in victory.


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