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items tagged with Art in Plain Sight

Art in Plain Sight: Civil War Memorials
Written By: Jeff Ignatius
Section: Art

Category: Feature Stories

2013-02-22 18:43:46

Scott County Soldier's Monument. Photo by Bruce Walters.

The Quad Cities have two prominent, highly visible Civil War monuments: the Rock Island County Soldiers’ Monument in Rock Island and the Scott County Soldier’s Monument in Davenport. Both were completed in the years following the war. It was not until 2003, however, that a monument to the Confederate soldiers who died at the Rock Island Arsenal was built.

The Rock Island County monument, located on the county-courthouse grounds near the Centennial Bridge, was unveiled on April 9, 1869 – the fourth anniversary of General Robert E. Lee’s surrender at Appomattox. The memorial was designed by Leonard Wells Volk (1828-1895), who briefly lived in Rock Island before opening his studio in Chicago in 1857. Volk had the distinction of being the only sculptor to model Abraham Lincoln’s features from life; casts of the future president’s face and hands were made by Volk in 1860.

The Scott County Soldier’s Monument, located in the center of the 1100 block of Main Street near Central High School, was dedicated a dozen years later, on July 4, 1881. Rodney Forsyth Carter (1838-1912) is credited as the monument’s designer.


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Art in Plain Sight: “St. Anthony Church Pioneers”
Written By: Jeff Ignatius
Section: Art

Category: Feature Stories

2013-01-17 15:55:27

'St. Anthony Church Pioneers.' Photo by Bruce Walters.

In 1989, Donna Marihart and Ann Opgenorth completed a brazed-copper sculpture for the 150th anniversary of St. Anthony Catholic Church (417 Main Street in Davenport), the oldest standing church building in Iowa. Titled St. Anthony Church Pioneers, the sculpture depicts a group of men and women who contributed to the founding of the church and the City of Davenport. The composition as a whole creates a sense of community.

The figures are gathered behind a portrayal of a seated Antoine LeClaire (1797-1861), who is holding an open plan or map. LeClaire donated the land on which the church was built.


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Art in Plain Sight: Two Murals by William Gustafson
Written By: Jeff Ignatius
Section: Art

Category: Feature Stories

2012-11-30 20:14:26

'The Mighty Fine Line,' by William Gustafson. Photo by Bruce Walters.

The first railroad bridge across the Mississippi (at Rock Island) and the establishment of industry in Moline are commemorated in two Quad Cities murals painted by William Gustafson. One can almost feel the wheel of progress beginning to turn in the depiction of these transformative events.

The Mighty Fine Line is a 55-by-45-foot mural on the south side of Steve’s Old Time Tap in the Rock Island District, near the corner of Third Avenue and 17th Street. Painted in 2006, the mural marks the 150th anniversary of the completion of the first rail bridge to span the Mississippi River. Gustafson, who teaches art at Rock Island High School, worked with Curtis Roseman – a local historian and professor emeritus at the University of Southern California – to provide historic details of the mural’s subjects. As Gustafson told me in an interview, historic accuracy in these works was important to him.


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Art in Plain Sight: “The Peaceful Warriors” and “No Future – No Past – No You – No Me”
Written By: Jeff Ignatius
Section: Art

Category: Feature Stories

2012-10-29 11:39:08

The Peaceful Warriors by Skip Willits and No Future – No Past – No You – No Me by Terry Rathje are located in an alley, not displayed prominently at a building’s entrance or in an open location as one might expect for such thoughtful and professionally produced artworks. Both artists, however, created their pieces knowing that they would be displayed alongside graffiti, dumpsters, and loading docks.

'The Peaceful Warriors,' by Skip Willits. Photo by Bruce Walters.

Entering the alley between Second and Third avenues from 17th Street in the Rock Island District – near Theo’s Java Club – one is initially met by Willits’ three metal sculptures mounted high on a brick wall. The welded masks, made from hot rolled-metal sheets, are approximately five feet in height. In the daytime, they feel benign; their gaze is diffident. At night, they feel like armored sentries posted at an entry into darkness.


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Art in Plain Sight: “Exhaling Dissolution”
Written By: Jeff Ignatius
Section: Art

Category: Feature Stories

2012-09-18 14:08:14

'Exhaling Dissolution' in Faye's Field. Photo by Bruce Walters. Click on the image for a larger version.

Just north of the corner of 18th Street and Middle Road in Bettendorf is – strangely – a large head made of bark in an open field. More than 13 feet tall, it’s hard to miss. What makes the sculpture feel truly immense, however, is how the artist has fulfilled her goal of “giving the Earth a voice” through this work.

'Exhaling Dissolution.' Photo by Bruce Walters. Click on the image for a larger version.The sculpture, created by Sarah Deppe – a 24-year-old artist from Maquoketa, Iowa – is meant to represent the natural world. Its surface is made of cottonwood bark found on the ground. As Deppe has written: “I incorporate bark and wood because I believe it is less detrimental for the environment than other mediums. I feel as though I am simply borrowing from nature, and it will be returned to the Earth as it decomposes off my sculptures.”

The artwork’s title, Exhaling Dissolution, refers to the pollution constantly being spewed into the environment.

Inspired by Deppe’s research into deforestation, the artwork took four months to plan and construct. Since its completion in 2010, it has been displayed on the Northern Iowa University campus and along the Riverwalk in the Port of Dubuque before being installed in Bettendorf on June 29, 2012. The artwork will be displayed in Faye’s Field for only one year – through June 2013.


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