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items tagged with August Osage County

In a Stew: "Burnt," "Our Brand Is Crisis," and "Truth"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-11-02 05:29:57

Omar Sy and Bradley Cooper in BurntBURNT and OUR BRAND IS CRISIS

This past weekend brought with it not only Bradley Cooper in the genius-chef-in-crisis drama Burnt, but also Our Brand Is Crisis, in which Sandra Bullock plays a political strategist running a Bolivian presidential campaign. You know what this means, right? It may be happening on neighboring screens, but after six long years, we’re finally treated to the All About Steve reunion no one was asking for!
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Johnny B. Bad: "Black Mass" and "Grandma"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-09-20 01:40:19

Johnny Depp in Black MassBLACK MASS

There’s a scene in the gangster thriller Black Mass that should sound bells of recognition for all fans of the genre. In it, legendary crime lord James “Whitey” Bulger (Johnny Depp) and some friends are enjoying a dinner prepared by one of Bulger’s associates: FBI agent John Morris (David Harbour). Bulger compliments Morris on their steaks and asks what seasoning was used, to which the agent replies that it’s a secret family recipe whose ingredients, upon further pressing, he genially reveals. That’s when Bulger seems to snap.

His smile curls into a frown, his eyes go deader than usual, and he calmly inquires of Morris that if the agent is willing to share this “family secret” so quickly, what other secrets – perhaps secrets about Bulger – might he have shared? During the unbearably thick silence that follows, Morris and his tablemates appear nearly frozen with panic. Bulger, meanwhile, stares and stares, and we in the audience prepare for an inevitable, horrific burst of violence. And then ... Bulger laughs. A lot. Exclaiming “You should see your face!”, he insists he was just busting Morris’ balls. Very slowly, the others begin to smile, and then they, too, laugh. And as this sensationally tense sequence ends on a note of cautious cheer, it’s impossible to ignore the suggestion of what we just witnessed: GoodFellas with Johnny Depp in the Joe Pesci role. All that was missing was the psychotic query “I’m funny how?!"


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A Coupla Theatre Guys Sittin’ Around Talkin’: Mike Schulz and Thom White Discuss 2014's Area Stage Scene
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2014-12-18 12:00:00

the Circa '21 Dinner Playhouse's Irving Berlin's White ChristmasIf you’re new to this almost-annual recap, what follows is my conversation with Reader theatre reviewer Thom White about the area’s stage stage over the past 12 months.

If you’re not new to it, you know the drill. Clear some time, grab a snack, and enjoy!


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Her and Her and Her and Her and Her and Her and … : "Her" and "August: Osage County"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-01-13 03:28:27

Joaquin Phoenix and Amy Adams in HerHER

Her, writer/director Spike Jonze’s tale of a man who falls in love with his computerized operating system, and “she” with him, casts a weirdly hypnotic spell. Although billed as comedy (as least by the Hollywood Foreign Press Association), you don’t really laugh much, and when you do, the laughter generally sticks in an odd, uncomfortable place in your throat; marveling at the unbridled sincerity of the thing, your chuckles are laced with a slight hint of mockery. Yet damned if Jonze, star Joaquin Phoenix, and the film’s superb supporting cast and designers don’t make this improbable project pay off in spades. Thoughtful, haunting, and perceptive, and at all times wickedly clever, Her is like a sci-fi Lost in Translation with a Scarlett Johansson you never get to see.


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Period Piece: "Carrie," "The Fifth Estate," and "Escape Plan"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-10-20 22:31:31

Chloe Grace Moretz in CarrieCARRIE

(Author’s note: Spoilers will abound. Given that the movie under consideration is an oftentimes word-for-word updating of a 37-year-old work, I hope I’ll be forgiven for them.)

As remakes of beloved genre classics go, I suppose there’s little point in being bothered by the new Carrie. Director Kimberly Peirce’s outing, after all, is easy to sit through, smartly staged, generally well-acted, and, in most regards, incredibly faithful to Brian De Palma’s 1976 original (which was, itself, reasonably faithful to Stephen King’s debut novel of 1974). The CGI effects are pretty weak, and the movie isn’t even slightly scary, and considering that nearly all sentient beings know what happens to poor Carrie White at the prom – with the movie’s entire advertising campaign based on post-prom imagery – there’s almost nothing in the way of storyline surprise, but whatever. It’s fine.


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