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items tagged with Augustana College

Art in Plain Sight: “Cadence of Diversity”
Written By: Jeff Ignatius
Section: Art

Category: Feature Stories

2014-06-18 17:19:35

Photo by Bruce Walters

Cadence of Diversity is a joyful mural – rich with expressions of many cultures that are balanced with an underlying theme of connectedness.

The 100-foot-long mural is painted on a concrete wall just south of Seventh Avenue on 38th Street in Rock Island. Working with more than 50 Augustana students, Peter Xiao – a professor of art at the college – led the mural’s development and execution throughout much of 2009, completing the work in the spring of 2010.


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Snap, Cackles, Pop: "Something's Afoot," at Augustana College through May 11
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2014-05-05 12:00:00

Steven Mondloch, Elyssa LeMay, and Ellenelle Gilliam in Something's AfootI am not a fan of the murder-mystery-comedy genre – but make the show a musical, and I’m not only interested, but eager to see it. Such is the case with Augustana College’s Something’s Afoot, a song-filled, murder-mystery romp reminiscent of an Agatha Christie story. Though not bad, the songs by James McDonald, David Vos, and Robert Gerlach, for the most part, aren’t great, nor particularly memorable. But happily, the production as a whole is still amusing from beginning to satisfying-and-unexpected end.


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One-Hundred-Word Moments in Time: Thom White, and a Few Others, on the Year in Theatre
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2013-12-23 12:00:00

Cara Chumbley, Lora Adams, Brad Hauskins, and Rachelle Walljasper in Things My Mother Taught MeAnother year of area stage productions has come and gone, and wanting to try something different this December, Reader theatre reviewer Thom White and I thought we’d bypass our traditional, end-of-year postmortem in favor of an alternate approach: requesting 100-words-or-fewer submissions from our readers on what people found particularly memorable about the 2013 stage scene. “It’ll be something new!” we thought. “It’ll be exciting! It’ll be filled with fresh voices that aren’t ours!” And, I must admit, we were dazzled with the overall response.

Well, “dazzled” may be overstating it.

Hmmm ... what’s the word I’m looking for ... ?

“Mortified,” maybe ... ?


Read More About One-Hundred-Word Moments In Time: Thom White, And A Few Others, On The Year In Theatre...


Hail to the Thieves: String Quintet Sybarite5 Tackles Radiohead, Led Zeppelin, and More; November 10 at Augustana College
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2013-10-31 11:54:51

Sybarite5

It likely seems a minor thing, but most of the tracks on Sybarite5’s 2012 album Everything in Its Right Place clock in within a few seconds of the corresponding Radiohead versions.

The string quintet – which will have three public performances as part of its Quad City Arts Visiting Artist residency from November 4 though 10 – is by no means the first classically trained ensemble to tackle the songs of Thom Yorke and company. But it’s certainly the most faithful, and the song lengths are actually telling.

The eight arrangements by Paul Sanho Kim (on the 10-track album) are striking in matching each song nearly moment-for-moment and part-by-part. This includes lush, thick, slow pieces such as “Everything in Its Right Place” and “Pyramid Song” but also explosive rockers such as “Paranoid Android” and “2+2=5.” Crucially, neither the arrangements nor the performances castrate the songs, retaining their dynamic range and energy without drums, electric guitars, or amplification.


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Farce to Be Reckoned With: "Figaro," at Augustana College through October 27
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-10-21 12:00:00

Leslie Kane and Joshua Pride in Figaro (photo by Daisy Hoang, Augustana Photo Bureau)Augustana College’s Figaro is a fine example of how witty, self-referential humor makes for a better farce than does banal innuendo and silly, unrealistic door slamming. Playwright Charles Morey’s recent adaptation of Pierre Beaumarchais’ The Marriage of Figaro (written in 1778) is sharply funny, filled with references to Beaumarchais’ original trilogy (“It would take an Italian opera to describe [the plot.]”) and digs at the rich (“How clever of you, sir, to be rich rather than smart.”) There’s still sexual innuendo and slamming doors, but Morey’s script is so much quick-paced, pointedly humorous fun that the two-hour presentation rises above the level of most bedroom farce, especially considering that this production is populated by such a well-cast ensemble.


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