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Oscar-a-a-aziness: Analyzing the Trickiest Categories (and They’re Big Ones) in the 2013 Academy Awards Race
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2013-02-13 12:00:00

Don’t tell anyone. But usually, when it comes to predicting the winners of the Academy Awards’ major races, it doesn’t take much to look like you know what you’re talking about.


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Writer Wrong: "The Words" and "The Cold Light of Day"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-09-09 14:44:08

Bradley Cooper and Zoe Saldana in The WordsTHE WORDS

Three separate narratives dovetail in The Words, a modestly engaging morality drama by writers/directors Brian Klugman and Lee Sternthal. Yet ironically enough, the one narrative I never bought into was the one that’s meant to be the most believable, though heaven knows the other two aren’t exactly models of cinematic authenticity.


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The Third Time’s the Charmer: "Men in Black 3" and "The Best Exotic Marigold Hotel"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-05-29 18:21:32

Josh Brolin and Will Smith in Men in Black 3MEN IN BLACK 3

Is it merely deserved absence making my heart grow fonder, or is Men in Black 3, against almost all expectation, awfully damned good?


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One-Shot Wonder: "Silent House," "John Carter," and "A Thousand Words"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-03-11 22:14:39

Elizabeth Olsen in Silent HouseSILENT HOUSE

It’s entirely possible that you’ll need to have seen an awful lot of horror movies – particularly an awful lot of awful horror movies – to be jazzed by Silent House, considering that it’s basically just 90 minutes of a young woman being terrorized by barely glimpsed figures and startling noises in her family’s lakeside summer home. (Contrary to the title, this house is anything but silent.) Yet if you can get past the paper-thin storyline and a climax that’s less “Aa-a-a!!!” than “Hu-u-uh?!?”, the movie proves to be a terrifically nerve-racking and utterly fascinating scare flick, because from first shot to last, the action not only takes place in real time, but seems to have been filmed in one continuous take.


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Northern Exposure: "The Grey," "Man on a Ledge," and "One for the Money"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-01-29 21:38:25

Liam Neeson in The GreyTHE GREY

Whenever I watch a movie such as Alive or The Thing or director Joe Carnahan’s The Grey – especially in January – I ask myself the same question: Is it worth it? I know about cinematic sleight-of-hand, of course, and that the performers and crew aren’t enduring anywhere near the nightmarish conditions suffered by the characters on-screen. I also presume that a fat Hollywood paycheck instantly makes any location shooting, including The Grey’s outdoor shoot in wintry British Columbia, a lot more bearable. But still, all that ice and wind and trudging through thigh-deep snow ... . Is any movie experience worth spending three months in fear of losing your digits to frostbite?


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