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items tagged with Ben Kingsley

The Flicks Are All Right: Mike Schulz’s 10 Most Enjoyable Movies of 2010
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2011-01-03 12:00:00

Justin Timberlake and Jesse Eisenberg in The Social NetworkBefore commencing with the annual fawning, I thought I’d begin by exercising one of my God-given rights as a reviewer: the right to bitch about the sorry state of movies. I think it’s supposed to go something like this:

Boy, are the movies in a sorry state!


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Manhattan-ite Transfer: “Sex & the City 2” and “Prince of Persia: The Sands of Time”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-05-30 19:03:51

Kim Cattrall, Sarah Jessica Parker, Cynthia Nixon, and Kristin Davis in Sex & the City 2SEX & THE CITY 2

Sex & the City 2 begins with a multi-million-dollar gay wedding at which Liza Minnelli serves as officiator and headliner, and somehow manages to grow even more over-the-top, garish, and belief-defying over its next two hours and 20 minutes. It should be said that writer/director Michael Patrick King's follow-up is only rarely dull, mainly because the act of repeatedly lifting your jaw up off the floor can't help but keep you awake. Yet S&TC2 is still an obscene and desperately unfunny ordeal, even if - maybe especially if - you derived occasional or continual pleasure from its six-season HBO forbear or King's 2008 big-screen offshoot.
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The Loons! The Loons!: “Shutter Island”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-02-22 14:46:00

Shutter IslandSHUTTER ISLAND

Shutter Island, Martin Scorsese's operatically paranoid adaptation of Dennis Lehane's 2003 suspense thriller, is easily the best movie of 2010 thus far, so it seems a bit churlish to wish that was higher praise. Don't get me wrong: Even running a wildly overlong 138 minutes, the film is mostly terrific, and one of the very rare works of its kind in which your interest actually increases during the final reels. Yet given Scorsese's glorious technical acumen and the efforts of a ridiculously gifted cast, I still left the cineplex feeling that it just missed greatness, and not even greatness along the lines of GoodFellas or The Departed - more like the genre excellence of Scorsese's 1991 remake of Cape Fear. Shutter Island is a strong, worthy offering, yet as far as this year's releases go, it's only a few degrees more satisfying than Youth in Revolt or Daybreakers. But hey, it's early - I'll happily take it.


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A Thank You for "Smoking": "Thank You for Smoking" and "Lucky Number Slevin"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-04-19 00:00:00

Katie Holmes and Aaron Eckhart in Thank You for SmokingTHANK YOU FOR SMOKING

Jason Reitman’s Thank You for Smoking, adapted from Christopher Buckley’s satiric novel, doesn’t have much visual flair, but one recurring image in the film lends it worlds of variety: Aaron Eckhart’s smile.


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Pulp Friction: "A History of Violence," "Oliver Twist," and "Serenity"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-10-05 00:00:00

Viggo Mortensen in A History of ViolenceA HISTORY OF VIOLENCE

I was completely rapt by the austerity and dread of David Cronenberg’s A History of Violence – for the first five minutes. In the film’s beautifully sustained opening sequence, we watch as two men – one middle-aged, in a black suit, and another, younger and sporting a T-shirt and jeans – exit their motel room. They load up their car, and the older gentleman drops off the room key while the other – slowly, slowly – pulls the car up to meet him. Moments later, the older man returns, having had, he says, “a little trouble with the maid.” But before they leave, they need water. The younger man enters the motel office to replenish their supply, and as he does, we finally see the image that Cronenberg has thus far denied us, and that we in the audience have properly anticipated – the motel manager and maid lying dead in pools of blood. A frightened little girl, gently stroking the hair of her doll, enters the scene and makes eye contact with the younger killer. And the man, smiling gently, tells her not to be afraid, slowly aims his revolver at the girl’s head, and fires.


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