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items tagged with Bettendorf Learning Campus

Art in Plain Sight: “Exhaling Dissolution”
Written By: Jeff Ignatius
Section: Art

Category: Feature Stories

2012-09-18 14:08:14

'Exhaling Dissolution' in Faye's Field. Photo by Bruce Walters. Click on the image for a larger version.

Just north of the corner of 18th Street and Middle Road in Bettendorf is – strangely – a large head made of bark in an open field. More than 13 feet tall, it’s hard to miss. What makes the sculpture feel truly immense, however, is how the artist has fulfilled her goal of “giving the Earth a voice” through this work.

'Exhaling Dissolution.' Photo by Bruce Walters. Click on the image for a larger version.The sculpture, created by Sarah Deppe – a 24-year-old artist from Maquoketa, Iowa – is meant to represent the natural world. Its surface is made of cottonwood bark found on the ground. As Deppe has written: “I incorporate bark and wood because I believe it is less detrimental for the environment than other mediums. I feel as though I am simply borrowing from nature, and it will be returned to the Earth as it decomposes off my sculptures.”

The artwork’s title, Exhaling Dissolution, refers to the pollution constantly being spewed into the environment.

Inspired by Deppe’s research into deforestation, the artwork took four months to plan and construct. Since its completion in 2010, it has been displayed on the Northern Iowa University campus and along the Riverwalk in the Port of Dubuque before being installed in Bettendorf on June 29, 2012. The artwork will be displayed in Faye’s Field for only one year – through June 2013.


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Art in Plain Sight: Bettendorf Learning Campus
Written By: Jeff Ignatius
Section: Art

Category: Feature Stories

2010-12-29 16:46:58

Matt Kargol, ‘Passages.’ Photo by Bruce Walters.

Passages is a grouping of four rectangular columns prominently placed between the Family Museum and the Bettendorf Public Library on Learning Campus Drive. The column closest to the library lies flat on the ground. In sequence, the other three stand angled at 45 degrees, 67 degrees, and finally fully vertical. The effect of these 18-foot-tall, stainless-steel columns rising in a stop-motion progression is impressive.

Yet what ultimately catches one’s attention is the brightly painted sphere perched precariously at the top of the standing column. An area the size of the sphere has been scooped out of the other columns. These smooth inverse curves are painted in the same bright colors as the sphere – yellow, red, and green – and visually soften the angular metal impact of the sculptural group. They feel like a finger’s indent in a stick of butter. The positioning of these indents creates an illusion of an upward trajectory or path that the sphere has taken.


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