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items tagged with Bill Pullman

Gone to Seed: "The Switch," "Eat Pray Love," and "Nanny McPhee Returns"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-08-22 21:28:44

Jason Bateman and Jennifer Aniston in The SwitchTHE SWITCH

Since it's a romantic comedy starring Jennifer Aniston that actually doesn't suck, it's temping to overrate The Switch, which opens with Aniston's Kassie preparing to be artificially inseminated, and BFF Wally (Jason Bateman) - who secretly loves her - swapping her sperm donor's donation for one of his own.
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"Punch-Drunk Love" Is a Sandler Movie for Nobody: Also, "Tuck Everlasting," "Full Frontal," and "Igby Goes Down"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-10-30 00:00:00

Emily Watson and Adam Sandler in Punch-Drunk LovePUNCH-DRUNK LOVE

Punch-Drunk Love is exactly what its writer-director, Paul Thomas Anderson, claims it to be – “an art-house Adam Sandler movie” – yet I can’t be alone in thinking: What’s the point of that? Is Anderson merely trying to show up the hacks who’ve directed Sandler in other films? (Again: What’s the point?) All throughout, the movie is beautifully filmed, exquisitely composed, and filled with Anderson’s uncanny knack for stretching a scene out longer than it should humanly run and making you hang on every delirious second of it.


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Dim and Dimmer: "Book of Shadows: Blair Witch 2" and "Lucky Numbers"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-11-03 00:00:00

Kim Director and Erica Leerhsen in Book of Shadows: Blair Witch 2BOOK OF SHADOWS: BLAIR WITCH 2

Let’s face it: There was plenty of built-in expectation with the arrival of Book of Shadows: Blair Witch 2, and the expectation was that the film would suck. Those who loved The Blair Witch Project, as I did, would miss that film’s cinéma vérité style and simplicity, and rail on about how Book of Shadows was exactly the kind of dumbed-down splatter flick that Blair Witch rebelled against. Those who hated the original, which seems the more common response (at least among my acquaintances), would have their beliefs confirmed that the whole Blair Witch “mythology” is lame, and that we’ve been hoodwinked by marketing and Internet paranoia into making these movies hits. Wouldn’t it be great to report that this sequel had defied its skeptics and emerged as smashing entertainment?


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