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items tagged with Billy Bob Thornton

In a Stew: "Burnt," "Our Brand Is Crisis," and "Truth"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-11-02 05:29:57

Omar Sy and Bradley Cooper in BurntBURNT and OUR BRAND IS CRISIS

This past weekend brought with it not only Bradley Cooper in the genius-chef-in-crisis drama Burnt, but also Our Brand Is Crisis, in which Sandra Bullock plays a political strategist running a Bolivian presidential campaign. You know what this means, right? It may be happening on neighboring screens, but after six long years, we’re finally treated to the All About Steve reunion no one was asking for!
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From Rad to Worst: "Alexander & the Terrible, Horrible, No Good, Very Bad Day," "Dracula Untold," "Addicted," and "The Judge"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-10-12 20:12:40

Steve Carell, Jennifer Garner, Elise or Zoey Vargas, Ferris Dorsey, and Ed Oxenbould in Alexander & the Terrible, Horrible, No Good, Very Bad DayFriday, October 10, 10:05 a.m.-ish: My latest quartet of screenings starts with an adaptation of the beloved children’s book Alexander & the Terrible, Horrible, No Good, Very Bad Day. It’s a shame that the title has already eaten up about half my word count, because I now have far less space in which to rave about this surprisingly fantastic family comedy whose unforced cheerfulness is matched by its completely unexpected wit.


Read More About From Rad To Worst: "Alexander & The Terrible, Horrible, No Good, Very Bad Day," "Dracula Untold," "Addicted," And "The Judge"...


Brother, Can You Spare a Day?: “In Time,” “The Rum Diary,” and “Puss in Boots”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-10-30 23:35:52

Justin Timberlake and Amanda Seyfried in In TimeIN TIME

Set in either the distant future or some Bizarro World version of the present, Andrew Niccol’s sci-fi thriller In Time imagines an Earth in which time is literally our universal currency; an eight-hour work shift can add a few days to your life span, but a trip to the grocery store will cost you two weeks. (A slowly ticking, neon-green clock embedded in your forearm tells you just how much time you have left to spend.) It’s also an Earth in which humans have been genetically engineered to stop aging at 25, and are then allowed one year more before their bodies shut down completely ... unless, of course, they have the proper means, or the proper lack of morals, to buy or steal as much extra time as they want.


Read More About Brother, Can You Spare A Day?: “In Time,” “The Rum Diary,” And “Puss In Boots”...


"Love" and Other Flicks: "Love & Other Drugs," "Tangled," "Faster," and "Burlesque"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-11-28 23:43:18

Anne Hathaway and Jake Gyllenhaal in Love & Other DrugsLOVE & OTHER DRUGS

In my 2009 review of the director’s turgid World War II drama Defiance, I opened by asking, “Am I the only person who wishes that Edward Zwick would go back to making sharp, bitchy comedies like his 1986 Rob Lowe-Demi Moore romance About Last Night ... ?” Well, less than two years later, Zwick has returned to those romantic-comedy roots with Love & Other Drugs. Because, apparently, I needed another reminder to be careful what I wish for.


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Mike’s Online-Only Movie Reviews - 2008
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-05-01 11:06:16

The AlpsThe Alps (not rated) - The people have chosen, and the people chose good. Last fall's winner of the Putnam Museum's "Everyone's a Critic" series - which follows climber John Harlin's attempts to scale the north face of the Eiger mountain, where his father perished in 1966 - is such a breathtaking spectacle that watching it makes you a little dizzy; not from the Eiger's treacherous inclines and precipitous drops, which are (enjoyably) vertigo-inducing enough, but from the dazzling visual rush provided by director Steve Judson and his remarkable team of camera operators. Judson re-creates Harlin's ascent with jaw-dropping skill - you'll fight the urge to blurt out "How on earth did they film that?!" repeatedly during The Alps' 45-minute running length - and he and his crew photograph the Swiss mountain ranges with crystalline perfection; I'm not sure any movie has ever looked better in IMAX format. When the film turns to matters of geology and the historic make-up of the mountains, things get a little stodgy, but you're quickly returned to the awe-inspiring vistas, an unexpectedly touching human element courtesy of Harlin and his understandably worried wife and daughter, and, believe it or not, a series of marvelously employed Queen tunes that - in this format, at least - suggest what the elevator ride to heaven would sound like.


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