items tagged with Black Hawk College

The Reader's chief theatre reviewer, Thom White, saw and wrote about 52 area stage productions in 2011. I saw 39 and reviewed 12. Obviously, during our second-annual breakfast chat on the Year in Theatre, there was a bit to talk about.

It doesn’t happen often, especially if you attend a lot of local theatre – where the on-stage faces tend to become familiar ones. But every once in a while, you’ll be at a production that you’re really enjoying, and gradually realize that you’re routinely focusing on one performer above the others – and asking yourself, with a grin, “Who is that?”

Described by the Chicago Sun-Times as “simultaneously hilarious and touching,” the road-trip comedy Leaving Iowa is the final presentation in the Playcrafters Barn Theatre’s 2011 season. Leaving Iowa is also the first presentation in Black Hawk College’s 2011-12 theatre season, but don’t chalk that up to either coincidence or some sort of Moline-based rivalry; the productions are actually one and the same.

“I think it came from going to church,” says area actor Pat Flaherty of his childhood interest in theatre. “Because I’d go to church, and I’d see this guy who was holding everybody’s interest through the whole service. It was very dramatic – they’d light the candles and ring the bells and everything – and for a while I thought I wanted to be a priest because of that.

“It turned out I just wanted to be on stage.”

Whether you attend stage works sporadically or, like me, you saw 85 shows in the past year, anyone who enjoyed even one will understand that feeling of leaving a venue thinking, "Wow ... that was really good." I experienced that sensation numerous times this year, and while this list is hardly exhaustive, it'll hopefully give you an idea of just what you've been missing if you missed out on 2009's offerings.

Back in 2006, when I composed my first list of a dozen theatre "Essentials" - theatrical talents whose gifts were employed in a number of area productions - I couldn't have imagined that I'd find a dozen new names to add year after year. Well, as 2009 draws to a close, we can officially add another " ... after year" to that sentence.

At last count, there were a whopping 46 area-theatre productions scheduled between September and December, and included among the titles are A Dog's Life, The Big Funk, Scrooge!, Don't Hug Me, and Mid-Life! The Crisis Musical. It's the season that my editor, Jeff, has been waiting for!

Neil Simon's The Dinner Party, written in 2000 and currently being staged at Black Hawk College, concerns three formerly married couples who meet for a très sophistiqué evening at a Paris restaurant: Claude (played here by Bryan Woods) and Mariette (Elizabeth Cook, alternating performances with Cayla Freeman), whose shared passion for literature outweighed their passion for each other; Andre (Paul Workman) and Gabrielle (Elizabeth Paxton, alternating with Kristen Lynn Raccone), whose sexual rapport wasn't enough to keep Andre faithful; and Albert (Thomas Riley Ratkiewicz) and Yvonne (Kaeleigh Esparza, alternating with Lynn Aaronson), whose obsessive devotion to one another eventually resulted in them getting divorced - twice.

The Quad Cities' spring theatre season will be bookended by Shakespeare, with the March 6 opening of Much Ado About Nothing, and Sophocles, with the May 28 debut of Oedipus Rex. But just because these plays are, respectively, more than 400 and 2,400 years old, it probably isn't wise to enter them expecting the expected. This Sophocles, after all, is subtitled The Audacity of Oed, and this Shakespeare is being staged by the Prenzie Players, so in both works, you may as well expect anything to happen; considering our lineup also features titles by Stephen Sondheim, Neil Simon, Euripides, and Mel Brooks, I'm thinking you can say the same for the theatre season as a whole.

For the third year in a row, I've composed a list of 12 area-theatre participants who devoted their time, energy, and skills to numerous theatrical organizations and venues during the past year. And once again - happily and inspiringly - it hasn't been necessary to repeat names from one year to the next; local theatre, to the great good fortune of local audiences, never seems to run out of talent.