items tagged with Bobby Coleman
Written By: Mike Schulz
CLASH OF THE TITANS
For pure, unadulterated pop kitsch, it's hard to top 1981's Clash of the Titans, in which a blow-dried Harry Hamlin, as Perseus, waged war against the Greek gods while a glowering Laurence Olivier, as Zeus, gnashed his teeth from high atop Mount Olympus. And while I'm not suggesting that director Louis Leterrier's remake of this legendary swords-and-sandals extravaganza actually does top it, the not-so-guilty delight of his new version is that it stays remarkably faithful to the original's spirit; it, too, seems content merely to serve up a tasty helping of cinematic junk food - trash wrapped in cheese. With its blend of legitimately spectacular encounters and (I hope) intentionally retrograde visuals, this Clash of the Titans never pretends that it's anything other than a silly, instantly disposable good time, and consequently, can be easily enjoyed on its own, happily unpretentious terms.
Read More About Gods And Monsters: “Clash Of The Titans” And “The Last Song”...
Written By: Mike Schulz
Bella (PG-13) - Alejandro Monteverde's drama, which concerns the friendship between a chef and a newly pregnant, newly unemployed waitress, received the People's Choice Award at the 2006 Toronto Film Festival. Um... who are these "people," exactly? Space people? Because I can see how Bella might be confused with a great movie if you didn't understand a word of human conversation. Even then, of course, you might still be put off by the film's bizarre editing (with flash-forwards routinely, meaninglessly interrupting scenes-in-progress) and lackluster photography; Montevrede shows more interest in food than in his stars. And then there's that baffling ending, which seems to set the film up for a sequel - one that fills in that massive "Huh?!?" of a climactic plot hole. But it's still the mawkish, maudlin screenplay that does it in; Eduardo Verástegui (looking uncannily like Jim Caviezel as Christ) and Tammy Blanchard (as ever, looking uncannily like Judy Garland) are stuck with unplayable dialogue and baldly written characters, and the movie shamelessly plies on the merely-functional supporting stereotypes. The movie is pro-life and pro-family with a vengeance, which might account for its (limited) popular success. I just wish it were also a little pro-brain, and a lot anti-cliché.
Read More About Mike's Online-Only Movie Reviews - 2007...
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