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items tagged with Bradley Cooper

Crash! Crunch! Clunk! "The Big Short," "Concussion," and "Joy"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-12-28 00:20:16

Steve Carell and Ryan Gosling in The Big ShortDuring my extended holiday stay in the Chicago area, I saw a fantastic movie, a sizable disappointment, and an utter clunker. But as Carol, Legend, and The Danish Girl aren’t currently playing at a theater near you (at least if you live in the Quad Cities region), let’s instead focus on the other fantastic movie, sizable disappointment, and utter clunker I saw.
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In a Stew: "Burnt," "Our Brand Is Crisis," and "Truth"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-11-02 05:29:57

Omar Sy and Bradley Cooper in BurntBURNT and OUR BRAND IS CRISIS

This past weekend brought with it not only Bradley Cooper in the genius-chef-in-crisis drama Burnt, but also Our Brand Is Crisis, in which Sandra Bullock plays a political strategist running a Bolivian presidential campaign. You know what this means, right? It may be happening on neighboring screens, but after six long years, we’re finally treated to the All About Steve reunion no one was asking for!
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Fuzzy and Furry: "Ted 2" and "Max"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-06-29 02:30:27

Mark Wahlberg and Seth MacFarlane-ish in Ted 2TED 2

Every fan of Family Guy knows that when he wants to, Seth MacFarlane can be really offensive. (I am in no way a fan of Family Guy, and even I know that.) But the biggest problem with MacFarlane’s Ted 2 – which is likely to at least occasionally infuriate anyone who isn’t a white, straight alpha-bro – isn’t that it’s offensive; it’s that it’s too often sincere. This is a movie in which Morgan Freeman, as a benevolent civil-rights attorney, invokes the 16th Amendment and the Emancipation Proclamation when arguing for the rights of a talking teddy bear, with the scene’s moved onlookers and swelling score matching him in earnestness and integrity. My audience, meanwhile, watched and listened to Freeman’s impassioned oration in what felt like stunned silence. Can MacFarlane possibly be serious about this – that his foul-mouthed teddy’s rights are equal to those of hundreds of thousands of disenfranchised human beings? And if he’s not serious, why isn’t this scene in any way funny?
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Hawaiian Punch: "Aloha," "San Andreas," and "Far from the Madding Crowd"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-05-31 20:59:32

Bradley Cooper and Emma Stone in AlohaALOHA

On three separate occasions this past weekend, after mentioning that I’d seen Cameron Crowe’s Aloha, I had friends or family members reply with some variant on “Ugh, how bad was it?” That’s usually the response I get after telling people I just came back from the latest Happy Madison flick or Paranormal Activity: Yup, We’re Still Churning These Out. But to hear that kind of pitying condolence regarding a new Crowe endeavor was troubling. Sure, the reviews were largely dreadful, and the previews leaned toward the achingly twee, and the movie’s reputation in the hacked Sony e-mails (“the script is ridiculous”) didn’t help matters. Beyond all that, though, is the collective disappointment of Vanilla Sky, Elizabethtown, and We Bought a Zoo so pervasive and infuriating that it overwhelms the memory of Say Anything ... , Jerry Maguire, and Almost Famous?


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Tickler, Failure, Soldiers, Spies – Notes on a Quadruple Feature: "Blackhat," "Paddington," "The Wedding Ringer," and "American Sniper"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-01-18 01:22:06

Wei Tang and Chris Hemsworth in BlackhatFriday, January 16, 10:05 a.m.-ish: My first and final quadruple feature of 2015 (yeah, right) begins with the Michael Mann thriller Blackhat, which opens with the camera racing within a computer module and deeper and deeper into the internal workings of binary code, like a burrowing reverse of Robert Zemeckis’ introductory shot in Contact. At its climax, we discover that we’ve been watching the process by which a faraway cyber-terrorist sets off an explosion at a Chinese nuclear facility, and it’s a juicy, unsettling prelude – so good, and so promising, that it probably takes longer than it should to realize the movie is goofy as hell.


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