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items tagged with C.S. Lewis

Lewis and Lark: "The Chronicles of Narnia: The Voyage of the Dawn Treader" and "The Tourist"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-12-12 22:29:30

Ben Barnes, Skandar Keynes, and Georgie Henley in The Chronicles of Narnia: The Voyage of the Dawn TreaderTHE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER

In the third cinematic installment of C.S. Lewis’ Narnia series, the cumbersomely titled The Chronicles of Narnia: The Voyage of the Dawn Treader, we’re introduced to a character new to the franchise – a grouchy little snot named Eustace Scrubb. The pre-adolescent cousin to the young heroes of 2005’s The Lion, the Witch, & the Wardrobe and 2008’s Prince Caspian, this kid, played by Will Poulter, is truly a piece of work – closed-minded, miserly, cowardly, and prone to explosively motor-mouthed bouts of hysteria. With his constantly knit brow and the voice of an aggrieved, middle-aged schoolmarm, Poulter’s Eustace is about the most obnoxious, potentially alienating figure that you could ever imagine popping into this fantasy saga. He’s also so side-splittingly funny that he almost singlehandedly makes Dawn Treader not just enjoyable, but easily the most surprising screen Narnia to date.


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It’s a Mad, Mad, Mad, Mad World: “Alice in Wonderland” and “Brooklyn’s Finest”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-03-07 22:11:07

Johnny Depp in Alice in WonderlandALICE IN WONDERLAND

Beginning with 2001's Planet of the Apes remake, Tim Burton has cast domestic partner Helena Bonham Carter in all six of his most recent feature films, and he's never made better use of her beguiling, somewhat perverse charisma than in his new take on Alice in Wonderland.
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Battle of the Blands: "The Chronicles of Narnia: Prince Caspian" and the IMAX "Sea Monsters"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-05-21 08:24:40

The Chronicles of Narnia: Prince CaspianTHE CHRONICLES OF NARNIA: PRINCE CASPIAN

All things considered, The Chronicles of Narnia: Prince Caspian is pretty good, and on a purely technical level, it's more than pretty impressive. In his second stab at C.S. Lewis, director Andrew Adamson has fashioned a continuation that's both darker and lighter than 2005's The Lion, the Witch, & the Wardrobe - the film is admirably grim for a Disney outing, and unlike its predecessor, it maintains a sense of humor throughout - and most of its visuals are extraordinary. Yet I still can't build up much enthusiasm for it, because like many recent works of its kind (including The Golden Compass and the last two Harry Potters), the movie wows you with everything except personality. Prince Caspian is epically scaled, gorgeous, and hollow - a Pirates of the Caribbean without Johnny Depp.


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Lyra’s Entangled with Bears. Oh, My!: "The Golden Compass" and "Noelle"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-12-12 08:18:59

Nicole Kidman and Dakota Blue Richards in The Golden CompassTHE GOLDEN COMPASS

I would love to give an account of how the little kids in the audience reacted to Chris Weitz's The Golden Compass, but as school was in session during the Friday-afternoon screening I attended, there wasn't a single kid to be found. And I'd give you an account of how the adults reacted, but in all honesty, I was too busy trying not to fall asleep to notice.


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The Roar of the Crowds: St. Ambrose University's "Narnia" and Quad City Music Guild’s "It’s a Wonderful Life: The Musical"
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2006-12-06 08:29:11

Mike Millar & Stephanie Perry in "It's a Wonderful Life: The Musical"This past Saturday, I had the unique opportunity to catch two local theatrical productions: St. Ambrose University's Narnia (an hour-long stage version of C.S. Lewis' The Lion, the Witch, & the Wardrobe) and the Quad City Music Guild's presentation of It's a Wonderful Life: The Musical. (Both closed on Sunday, December 3.)

Despite obvious differences in subject matter and audience demographic - Narnia was geared toward the 10-and-under set, while Wonderful Life was designed for ... well, pretty much everyone else - the shows did bear a striking similarity, in that both were musical adaptations of decidedly un-musical works with enormous fan bases; St. Ambrose and Music Guild could probably have secured full houses based on the titles alone.


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