items tagged with Cait Bodenbender

I've seen three or four first-rate portrayals of Shakespeare's Othello over the years, and I always marvel at how both the character and the performer seem to literally grow in stature through the course of the play.

With King Henry the Fifth, the overall effect of the Prenzie Players' Henriad trilogy can be demonstrated in about five minutes of stage time. Shakespeare's titular ruler, played by Jeff De Leon, is invading the French province of Harfleur, and the scene begins with a literal explosion of sound - an edifice-shaking cannon boom, followed by the impassioned cries of the English and French soldiers engaging in battle. Over the next few minutes, the bellowing and booming hit greater and greater peaks of intensity, until finally Henry is standing at the gates of Harfleur, demanding that the governor surrender his township.

King Henry the Fourth, the Prenzie Players' second presentation in their Henriad trilogy, opened on Friday, and let me preface by admitting that I have a tougher time composing reviews for this troupe's productions than for any other area organization. When faced, in show after show, with such imagination and daring and passion, where does one start?

Theatre can be a great escape, but it can also be so much more. In 2006, most of the area's challenging works were presented by the New Ground Theatre, My Verona Productions, and the Prenzie Players, and over the past year and a half, I've had the pleasure of interviewing the impresarios of these organizations: New Ground Artistic Director Chris Jansen, My Verona producers Sean Leary and Tristan Tapscott, and Prenzie founders Cait Bodenbender, John Luxton, Aaron Sullivan, and Denise Yoder.

So, as I'm on a first-name basis with all of them, permit me to direct a few holiday cards their way:

Here's one for fellow fans of Peter Jackson's Lord of the Rings trilogy: You know how badly we wanted to see The Two Towers after The Fellowship of the Ring? That's how badly I want to see the Prenzie Players' King Henry the Fourth after Saturday night's production of King Richard the Second.

For those of you who aren't Lord of the Rings fans, I think you still get my meaning; King Richard the Second - the first installment in the Shakespeare troupe's three-part cycle of Henry plays, entitled The Henriad - is so thrillingly staged and sublimely well acted that the February continuation can't possibly come soon enough.

Certainly, there was cause for concern.

When the Prenzie Players made their 2003 debut with Shakespeare's Measure for Measure, they did so at Rock Island's Peanut Gallery, which didn't have a proper stage and could only seat, at maximum, 40 people. The show had an inadequate budget (between $200 and $300), a run of only two performances, and no word-of-mouth; Prenzie's founders - Cait Bodenbender, John "J.C." Luxton, Aaron Sullivan, and Denise Yoder - had every reason to expect Measure for Measure to fail.

Yet Friday night's show played to a full house. And on Saturday ... .

A Midsummer Night’s Dream at the Rock Island Masonic Temple

Theatre audiences are often witness to romance and, with the right director and performers, occasionally even to true love on stage. Yet it’s rare to find passion and even rarer to witness carnality, two qualities that the Prenzie Players present in abundance in their juicy new production of A Midsummer Night’s Dream at the Rock Island Masonic Temple.

In the Prenzie Players’ hugely entertaining production of Shakespeare’s Twelfth Night: Or, What You Will, there’s an encounter so heart-stoppingly strong that it might be the single most effective stage moment I’ve witnessed all year.

The Prenzie Players are so serious about presenting innovative interpretations of Shakespeare’s scripts, they promise audience members “won’t forget our shows, ever.” Pretty lofty standards for a small group of Quad Cities actors who hold performances in rented found spaces (currently the Rock Island Housing Authority building) and use minimal props, costumes, staging, and production.
Read More About "The Tempest" Continues Prenzie’S “Guerrilla” Style...

About a year ago, Genesius Guild members J.C. Luxton and Cait Woolley had an idea: to bring Shakespearean theatre to a more intimate space than the outdoor Lincoln Park venue in which the Guild performs every summer.
Read More About Shakespeare In The Peanut Gallery...